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Jan 232011
 

left to right: Crow, Stangroom, Molyneux. Photo by Valerie Martino.

Sweat Weasel is the second of three special improvs recorded live at Betty’s Bar & Grill on January 16th, 2011. It features Tommy Stangroom on drums and circuit bent toy keyboard, Lawrence Crow on keyboards and programming, and Stephen Molyneux on 4 track loops. Tommy plays drums for Square People. Lawrence makes ambient experimental music using open source programming. Stephen is one of the founding members of the Murfreesboro experimental collective Horsehair Everywhere.

Be sure and check out the first Betty’s recording Milk Vetch (featuring Leslie Keffer, Ben Marcantel, and Scott Martin) on podcast 47. The third improv featuring Lazer Slut and Unicorn Hard-on will come out next week.

Jan 182011
 

left to right: Ben, Scott, Leslie. Photo by Valerie Martino.

Tonight’s episode is Milk Vetch, the first of three special podcasts recorded live at Betty’s Bar and Grill on Sunday, January 16th. Milk Vetch features Ecstatic Peace artist Leslie Keffer (The Laundry Room Squelchers), Ben Marcantel (Forrest Bride and T.I. podcast Pulse), and Scott Martin (Lambchop, Hands Off Cuba, Hobbledions, Cortney Tidwell). I’ve been trying to get these three performers on the show for a long time now, and they sound fantastic together! Scott plays percussion; Leslie, Chaos Pad and sequencer (panned slightly right); and Ben, keys and synth (panned slightly left).

Leslie Keffer is throwing a record release party at Betty’s Friday, January 21st for Give It Up, her new Ecstatic Peace record as well as Hold You To It, a split with Outmode and Silver Bridge, a reissued split with Robedoor. Give It Up also features Valerie Martino who performed in the third Betty’s Live improv as Unicorn Hard-on. We’ll release that episode, a duet with Lazer Slut, very soon. Keep your ears pricked for the second Betty’s improv with Tommy Stangroom (Square People), Lawrence Crow, and Stephen Molyneux (Horsehair Everywhere) even sooner.

Theatre Intangible interviewed Leslie Keffer a while back about the Nashville experimental music scene and her method.Here’s what Escstatic Peace has to say about her new record:

Leslie Keffer has been one of the most startling and provocative practitioners of 21st century USA noise music since her first harsh emanations on the cassette underground in the early 2000s. Ecstatic Peace released her first full length LP Feels Like Frenching a few years back and it was hailed as a cornerstone in new blood noise exploration. Boomkat.com reported, “she’s beating the noise-boys at their own experimental game and winning…Keffer had me at hello.” And Performer magazine heard the LP as “a dense series of coded subconscious messages sent from some buried cerebral cortex.”

On this new 12”, which has been waiting to be issued or near on two years, she joins forces with local Nashville rockers John Eatherly (Be Your Own Pet, Jemina Pearl), Steve Poulton (Paul K and The Weathermen) and fellow noise artist Valerie Martino (Unicorn Hard-on). These two tracks are a departure from the pure noise action Leslie is known for and present her current trajectory into hypno dance dub psychosis with waves of junk filtered radio wash and siren chants. As with the LP the artwork by Adriane Schramm is astounding.

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Jan 092011
 

“Even the music that I do, it’s like folk music during the Civil War. If you wanted a banjo, you built a banjo.” — Tim Kaiser interviewed on T.I.

Tim Kaiser – -2010 Circuit Benders’ Ball. Photo by Stephen Zerne

On tonight’s show, I’m very happy to have one of the real pioneers in contemporary instrument design and experimental performance. Tim Kaiser is a Minnesota-based musician, inventor, and artist who has been making experimental art for the past 25 years. He designs and builds his own instruments, both acoustic and electronic, using toys, vintage electronic gear, and other found materials.

Tim’s work was featured in Make Magazine and presented in Germany, Brazil, Sweden, Hong Kong, Cuba, Canada, and more. He tours across America performing ambient improvised music incorporating his inventions. In October of 2010, he performed at the Circuit Benders’ Ball in Nashville, Tennessee, and today’s show features that performance in its entirety.

In the interview, we discuss the Makerbot revolution, hackerspaces, opera, the intersection of science and making, improvising, and Tim’s latest creations.

Download more audio and video from the 2010 Circuit Benders’ Ball at the CBB10 Media Repository. If you like the show, tell a friend or write a review in iTunes.

If you like tonight’s performance, check out the Circuit Benders’ Ball Theatre Intangible Live Improv w/ Tim Kaiser, DaveX, Thriftsore Boratorium, 1/2 Mang, Lola Wilson (I Am Pazuzu) & Jeremy Walker.

Mentioned in this episode: Harry Partch, Brian Eno, Yoko Ono, King Crimson, Adrian Belew, Reed Ghazala, Circuit Ben, Low-Gain, Paul Metzger, Makerbot Industries, Cupcake Makerbot, Make Magazine, Open Lot Nashville, BT, Duran Duran, Throbbing Gristle, Peter Christopherson (AKA Sleazy), Pogo Studio, DJ Marco Ricci, Short Circuit Festival, Bent Festival, MEECAS, The Circuit Benders’ Ball, and The Transistor Gallery in Chicago.

Upcoming Tim Kaiser gigs:

Teatro Zuccone Short Circuit Duluth, Saturday January 22nd 7:30 pm w/ Low-Gain & Talking Computron, $6

First Avenue w/ Woody McBride, Minneapolis MN Feb. 18, details forthcoming

Franconia Sculpture Park June, details forthcoming

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Jan 042011
 

There are lots of great new improvs in the works, but today we bring you the classic flavor to quench your thirst — Beverages, the eighth episode from the Prefab Audio Extrapolation days at WIDB, recorded way back in 1998 (or ’99).

Beverages features some old cola marketing campaign tapes, exercise records, crazy call-ins, and more fizz than a club soda. Featuring DaveX, Tom Denney, and myself. Enjoy.

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