Warning: Declaration of Suffusion_MM_Walker::start_el(&$output, $item, $depth, $args) should be compatible with Walker_Nav_Menu::start_el(&$output, $item, $depth = 0, $args = Array, $id = 0) in /home/theatr23/public_html/wp-content/themes/suffusion/library/suffusion-walkers.php on line 39
Mar 062015
 

0004009204_100

New York City jazz-rock trio Hypercolor will be performing at the 12-South Portland Brew tonight at 9 p.m. The show is presented by FMRL Arts and also features extended-technique guitarist Brady Sharp. On John Zorn’s Tzadik label, Hypercolor features drummer Lukas Ligeti, bassist James Ilgenfritz, and guitarist Eyal Maoz.

Another FMRL Arts must-see. Don’t miss it!

FMRL Arts presents Hypercolor, Brady Sharp
Friday, March 6th, 2015. Doors at 8:30 p.m., show at 9 p.m., $10
@ Portland Brew, 2605 12th Ave S, Nashville, Tennessee 37204

Mar 062015
 

10834917_795072500567106_8396061382053091563_o

 

Mike Teaney’s psychedelic improv series Free Form Friday returns to the Centennial Park Black Box Theatre tonight at 8 p.m. The bill features composer, pianist, and Belmont professor Anthony Belfiglio with his jazz quartet and Parallel Lives, the laptop duo of University of Mississippi professors / Visceralmedia Records co-founders Michael Gardiner and John Latartara.

Gardiner’s Ole Miss profile page gives us some background on the project, which sounds amazing:

As a member of the laptop duo Parallel Lives (with John Latartara), he explores intersections between canonic repertoires and electronics. The group recently released Beethoven Hammerklavier on Centaur Records, a collaboration relying solely on performances by pianists, Beethoven samples, and ambient recordings made at a conservatory of music to create a view of the musical work documented in all of its stages; from discussion, to the practice room, recording studio and concert hall, to its final confrontation with software applications that threaten its identity.

Modular Art Pods participants Dig Deep Light Show will provide the visuals. And just like all Free Form Friday events, it’s free!

Learn more at the Facebook event page.

FreeFormFriday

 

Free Form Friday featuring The Anthony Belfiglio Quartet, Parallel Lives, Dig Deep Light Show
Friday, March 6th, 8 p.m., free show
@ Centennial Black Box Theatre inside Arts & Activity Center at Centennial Park, Nashville, TN 37203

Mar 062015
 
Andee Rudloff's Art Pod. Photo by Becky Fox Matthews.

Andee Rudloff’s Art Pod (foreground). Photo by Becky Fox Matthews.

Andee Rudloff's Art Pod. Photo by Becky Fox Matthews.

Andee Rudloff’s Art Pod (interior). Photo by Becky Fox Matthews.

Modular Art Pods participant Andee Rudloff will be exhibiting at Ground Floor Gallery on Saturday, March 7th during Arts & Music @ Wedgewood/Houston. From 5 to 8 p.m., Rudloff with be leading a community mural painting project. $5 to participate or just come to watch. The viewing of the finished mural happens from 8 p.m. to 9 p.m.

That’s one of the many great art events going on this Saturday around Nashville. For more info, check out Joe Nolan’s Crawl Space at the Nashville Scene and Erica Ciccarone’s art crawl post at NYCNash.

Andee Rudloff prepping for the mural painting at Ground Floor. Photo by Janet Decker Yanez.

Andee Rudloff prepping for the mural painting at Ground Floor. Photo by Janet Decker Yanez.

Feb 192015
 

Dave Cloud beard 15022008

Nashville punk/lounge legend, Gospel of Power singer, actor in Gummo and Trash Humpers, Murakami of pickup artists, force of nature, and king of karaoke night at the Springwater Supper Club Dave Cloud passed away last night due to complications from cancer. Sources close to him say he passed calmly surrounded by friends and family. He was 58 years old.

Dave appeared on two episodes of Theatre Intangible, two of our best: the episode that got us banned permanently from WRVU and the Fourth Annual Halloween Extravaganza. Whenever I ran into Dave after that final WRVU episode, he told me he felt terrible and guilty about getting my show banned. And then I would reassure him that it was not his fault. He was very careful to avoid the FCC dirty words and to replace anything objectionable with surrealistic placeholders. The objectionable material came from the callers, who we monitored (unsatisfactorily, apparently) with a three-second delay. I would then tell Dave that were it not for Theatre Intangible getting banned from WRVU, I would never have started the website and podcast version. I guess I owe all that to Dave and everyone involved with the episode Get It On with Dave Cloud.

Then he would ask me to buy him a beer, and I would. Dave was a drinker and a chain-smoker. While we were taping Get It On, he would excuse himself for “quick” smoke breaks that ended up lasting 20 minutes. The other performers just kept improvising music until Dave returned. When it was time to record the Halloween Extravaganza, I had learned my lesson. At this point, I was recording the episodes in my basement, and when Dave asked to take a smoke break, I told him he could smoke while performing. Before long, other performers were lighting up, and my house smelled like cigarette smoke for two weeks. But the recording is better for it.

I didn’t know Dave very well, and I don’t feel qualified to write a eulogy for him. We only had a handful of conversations at the Springwater and Betty’s, and, of course, we had the live tapings. One thing that I do know is that Dave possessed a rare magnetism that made his performances (and pickup lines, rants, boasts) hypnotic. And that has me thinking about the parallels between Dave and other outsider musicians like Daniel Johnston, Frank Sidebottom, and Wesley Willis. Magnetism such as Dave’s often comes with depression and mental illness, and I wonder if we enabled Dave with our attention and admiration. We were always willing to buy him a beer in exchange for a song. Jon Ronson writes about the magnetism / mental illness duality beautifully in Frank: The True Story That Inspired the Movie. In an interview with the The Wire about his time performing with the Frank Sidebottom Oh Blimey Big Band, Ronson writes,

… it just interested me so much, that kind of beautiful naïveté when you’re young and see the tortured artist as being fabulous, and then when you’re faced with the reality of being with a tortured person and it’s not at all fabulous. It’s not fabulous to the person and it’s not fabulous to the people around the person. I’ve known that from my own life, and also this brilliant documentary The Devil and Daniel Johnston talks about that too, about how awful it is to be Daniel Johnston’s parents, the hand they’ve been dealt. It’s heartbreaking, and there’s nothing romanticizing about mental illness in that documentary.

Dave lived with his parents for most of his adult life, and right now I’m thinking about them. I am sorry for their loss. I will never know Dave, in all his unvarnished glory, the way they did. I will never know the struggles Dave and his family faced. I only know the Dave behind the microphone. But that is enough.