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Aug 152012
 

Gerber & Gerber live at Brick Factory Nashville

Today on the podcast, I interview brothers Tony and Todd Gerber. Tony and Todd have been making music together and separate since they were ages 9 and 3, first in Northern Indiana where they grew up, and later in Nashville, TN.

Tony Gerber wears many hats, including visual artist, virtual reality homesteader, and record label founder; but it’s his contribution to electronic, ambient, and space music that put him on the map. As a solo artist, with his band Spacecraft, and in dozens of other projects, Tony’s music has been featured in movie soundtracks, planetarium shows, and on the NPR program “Hearts of Space.” His alter ego and avatar Cypress Rosewood performs concerts in the virtual reality world of Second Life.

In 1992, Todd Gerber helped establish the Casio SK-1 keyboard as a valid musical instrument in his band UMLAUT with Troy Sharp, long before the instrument achieved cult-cool status. Soon after, he co-founded the bands drrdrr and Dinah Shore, Jr., and with the latter he performed on bills with Robert Fripp, Adrian Belew, Trey Gunn, The Amazing Delores, and Trans Am.

On May 7th 2012 at Brick Factory Nashville, Tony and Todd performed together for the first time in 9 years as the new project Gerber & Gerber. We play a clip of that performance on this showcase. You can download the full performance for FREE right here: Gerber & Gerber live at Brick Factory Nashville, May 7th, 2012. (Left click to stream, right click to save.)

Here is the full listing of the songs we play on this episode. (Ordered by band, album, title.) 1. Spacecraft, Hummel, Galileo. 2. Umlaut, SK-1 Works 1989-1994, Untitled. 3. Spacecraft, Spacecraft, Transmission. 4. Port of Saints, Falling Shadows. 5. Todd Gerber, Ponder Solo Work, Love’s Philosophy. 6. Gerber & Gerber, Live at Brick Factory Nashville. 7. Cypress Rosewood, Isle of Wyrms, Weightless in Flight.

Todd and Tony will be playing as Gerber & Gerber Friday, August 17th at the Midwest Electro-Music Experience in Indianapolis, Indiana. Tony will also play the festival Saturday, August 18th with Paul Vnuk, Jr.

Todd is performing in Nashville on a bill with tape loop master Jason Lescalleet, Saturday, August 25th at Brick Factory Nashville.

Tony and Todd have been at the heart of the Nashville experimental and electronic music scenes since the late 1980s. I’m incredibly excited to have them on the show!

On the episode, we discuss TonyGerber.com, Spacecraft, Cypress Rosewood’s YouTube channel, Dinah Shore Jr., Space for Music, the Casio SK-1, Tim Kaiser, City Skies Festival, Umlaut, Masterfonics, Brick Factory Nashville, Kirby Shelstad, Mary Mancini, Lucy’s Record Shop, Sudekum Planetarium, The Nashville Intelligence Report, Suburban Baroque, Don Evans, Gil Trythall, Moog Music, Giles Reaves, William Linton, Johnny Blackburn, John Rose, Diane Timmons, Rob Mitchell, Stephen Anderson, Matt Swanson, Hummel Planetarium, Nashville Parthenon, Second Life.

Jul 122012
 


It’s the fifth and final day of the Great Podcast Releasathon 2012!(tm). (“But Tony, you said it was going to last a week!” — I meant a work week, sue me!) Here’s episode 89, Heavenly Noise, starring DaveX, Tony Youngblood, Tom Denney, Kevin Vogel, and Matt Giant. We recorded Heavenly Noise way back in 1999 at my college radio station WIDB on the campus of Southern Illinois University. It was the ninth episode of the original incarnation of Theatre Intangible, ~Ore~ Prefab Audio Extrapolations. We were trying to spoof a Christian call-in show, actually trying to get real people to call in and contribute money to our “interfaith” cause. I vaguely remember DaveX and myself flyering the buildings at SIU with a faux Christian student group flyer that must have been pretty blasphemous; they were taken down by some unknown force by the next day.

Apologies to listeners who are religious or who have, you know, taste.

Update: Dave adds his thoughts:

“I don’t think that’s the Lord anymore.” Pretty much sums up this rather silly outing for ~Ore~. I detect some of my Tom Jones record in there, and that weird sequencing freeware we kept using. And a healthy dose of random preaching records. As I recall, I was always very much on-edge during these shows. Live experimental improv is always going to be tough, but making ~Ore~ was rather like jumping in the deep end head first. I don’t have Tony’s natural ability with instruments, so I probably had to work three times as hard just to keep up. On an episode like “Heavenly Noise,” pretty much everything I did was a sort of point blank improvisation, literally learning my “instrument” (devices, the studio, actual instruments, etc) as I went along. Absolutely flying blind, but listening and learning along the way. It took a long time before I trusted myself enough to just work a single idea– I distinctly remember scoffing (mentally) at the guest who brought in a singing drum and just played it for an hour (on another episode) and though I still don’t think he was really participating with all of us very well, I’ll admit that focusing on process or developing a simple idea ended up being something I really appreciate now. Like I said, there was (and still is) a lot to learn! “This makes me ill. This sickening blasphemy. It makes me churn!” A hilarious addition from Tony’s brother there, who sat in (or called in, as he did here) during numerous episodes. (Tony’s note: I think that might have been Matt Giant.) Tom Denney also makes some great contributions here– I love the bit about being made to dress up in women’s clothes, classic. I hear some “he was doing it, but he wasn’t really doing it”, which I’m pretty sure came from an interview with one of Jimi Hendrix’s girlfriends, from the Rainbow Bridge film, sounds like a little microcassette work, but perhaps pre-recorded for this episode. Yeah, definitely that album– I still quote the bit at the end every now and then, “I’ll always touch you.” Funny how certain things stick with you.

And oh yeah, here’s a flyer to dig on. It’s not specific to this show– we didn’t always make one with the theme represented, because we didn’t always know very far in advance what we were doing. This was from right around that time, though. I ended up recycling these images many times in various flyers, but always worked my way back to the “old lady” gag, because I think it’s hilarious.

–DaveX

Jul 112012
 


It’s day 4 of the Great Podcast Releasathon 2012!(tm), and this is episode 88, Prong and Spittle, featuring Bobobobobob on Sequential Circuits Prophet synthesizer, William Davis on electric kazoo through Chaos Pad, Paul Cane on ukelele through guitar pedals, and myself on Boss RC-50 Looper, SK-1, bent sleep machine, and bent audio book. Prong and Spittle was the 11th episode of the WRVU era of Theatre Intangible, recorded April 6th 2008. Listening to this gets me nostalgic for the early WRVU crew. William Davis and Paul Cain have since moved away from Nashville. [Update 2012-07-23. Paul tells me he’s back in Nashville!] Bobobobobob has been keeping busy refinishing his house after the 2010 flood, but he tells me the repairs are almost complete. I hope to have him on again soon! There’s nothing quite so wonderful as a well-tempered 70’s analog synth.

Check back tomorrow for a WIDB-era episode in which we spoofed a Christian call in show.

Jul 102012
 


In keeping with the Great Podcast Releasathon 2012!(tm), here’s episode 87, Angelia, featuring DaveX, myself, Tom Denney, the Care Bears, and probably some other people I can’t remember. (Possibly Wil Bernal.) We recorded Angelia way back in 1998 at my college radio station WIDB on the campus of Southern Illinois University. It was just the third episode of the original incarnation of Theatre Intangible, ~Ore~ Prefab Audio Extrapolations, and it’s the very first appearance of my original co-host DaveX. The non-live recordings on Angelia were audio experiments I had recorded on my Roland VS-880 digital 8 track.

Stay tuned tomorrow for day four of a full week of podcasts!