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tonyyoungblood

May 232013
 
Fort Houston's woodshop

One of the many rooms in community creative space Fort Houston

Back in April, I wrote a blog titled “Fort Houston and the Nashville Art Scene Need Your Help!” The piece talked about the vitality of the Wedgewood-Houston arts community and vaguely discussed Fort Houston‘s difficulties in passing the city’s complex coding process. I entreated everyone to write letters to the mayor and city council reps. But I could only tell you part of the story — partially out of deference to Fort Houston while they attempted to resolve matters privately, partially because I didn’t know the whole story.

This morning the Tennessean published an article called “New artists warehouse Fort Houston runs into codes issues.” (In the print edition, it’s titled “Arts Space Seeks Zoning Variance.”) In the article, reporter Joey Garrison uncovers further layers of Fort Houston’s difficulties and reveals disputes with the Houston Street property landlord. The landlord’s arguments in the piece don’t make any sense whatsoever, and I’m convinced he’s not being honest about his motivation. Fort Houston’s lease runs out in November, and I don’t think it is likely that the landlord will renew it (especially after the Tennessean article). The only solution seems to be buying the property outright, but that would require a wealthy benefactor.

There are further layers of intrigue as yet unpublished … other players, other factors; but it would be irresponsible for me to discuss the rest until Fort Houston opens the dialogue. For now, Fort Houston needs your support like never before. Tour the facility. Talk with the staff. Ask what you can do to help.

Many a cadre of talented young people in Nashville have attempted to put together creative spaces like Fort Houston. It’s an incredibly-difficult enterprise. Most fail after less than a few years. But this one is special. Over the past three years, I’ve witnessed firsthand the Fort Houston founders’ high levels of professionalism, work-ethic, future-planning, business savvy and innovation. They are the best and brightest of Nashville’s creative up and comers. If this can happen to them, it can happen to any new arts organization. The question we really need to be asking our city leaders is this: “You have shown you are willing to support large commercial enterprises with questionable ties to the arts community. But are you willing to support young artists, new organizations, bottom-up development, the true future of Nashville’s art scene? Think hard on that before you reply. Your answer determines our future support of YOU.”

And before you read the Tennessean article, read Fort Houston Co-Founder Ryan Schemmel’s introductory remarks to the article here.

May 222013
 

restless-mariner

Here’s Theatre Intangible episode 101: Restless Mariner, recorded on the Noa Noa back porch on April 6th, 2011 and starring Randy Hunt, Chris Murray, Charlie Rauh, Chris Rauh, Craig Schenker, Jamison Sevits, and Tommy Stangroom. We organized this show around Charlie and Chris Rauh’s visit back to Nashville from New York City and DC respectively. Since Charlie moved to New York City in 2010, he’s been making quite a name for himself playing with such esteemed musicians as Ingrid Laubrock, Tom Rainey, Connie Crothers, Daniel Carter, Ken Filiano, and Hill Greene.

We did two improvs that night, the first with a set group of musicians who came in one at a time throughout the performance, and the second, a free for all tag team with a who’s who of the Nashville avant garde music community. Episode 102 will feature the second. You’re about to hear the first. I did the recording, live mixing, editing, and mastering. Thanks for listening!

 

May 222013
 

New-Dischord

You may know Chattanooga, TN experimental artist Tim Hinck from his 2012 Soundcrawl performance at Brick Factory Nashville. Or from his involvement in the wonderful Chattanooga art residency series Easy Lemon.

Tim is currently organizing the third annual New Dischord, an experimental arts festival in multiple venues around Chattanooga June 6th through 9th.

The whole thing sounds absolutely incredible! From the festival website:

This four-day festival represents a satellite collective of experimental arts communities throughout the country, gathering to form a common text of visual, sonic, and performance-based works. Our growing list of participants, from a variety of cities, includes: Mark Bradley-Shoup, Ron Buffington, Adam Clay, Isaac Duncan, Malcolm Goldstein, Ruth Grover, Ashley Hamilton, Blake Harris, Tim Hinck, Michael Kallstrom, Nathan King, Alyse Knorr, Ann Law, Aubrey Lenahan, Ada Limon, Nolan McGuire, Jerome Meadows, Kate Partridge, Paul Pinto, Meg Ronan, Julian Tan, Aggie Toppins, Jeffrey Young, and others. Performers will each draw from multiple mediums, including musical composition; 2D-,3D-, and digital art; theatre; movement; and poetry. Witness Chattanooga’s continued interaction in the world of experimental arts.

The New Dischord is not an open-ended experimental arts collective, but rather a focused conversation between those who wish to do work outside their specific discipline. Participants in New Dischord are asked to–
1) Create new work that utilizes one or more disciplines outside of their primary discipline.
2) Engage in continued conversations and reactions to others in this collective by responding to and reviewing work, particularly that of our colleagues in other communities.
These goals are to be achieved by participation in our online review publication, and through a commitment to physically visit our colleagues in these other experimental arts communities and respond to their work in person.  These goals are rooted in a belief that our best work is inspired by – and consequently challenged by – real conversation in response to the latest work of our peers.

I’m sold. As if I need another excuse for a Chattanooga road trip. I find it to be one of the most beautiful cities in the U.S.

Check the New Dischord website to see the full schedule and list of venues. Experience four days of experimental art. And while you’re there, explore Ruby Falls and See Rock City!

May 222013
 

Nightly Exchange

I’m listening to Nashville experimental artist Dylan Ethier‘s new cassette release Nightly Exchange, and my mind is being blown. Heavily-distorted synth lines rapidly tremolo through the left and right channels. It’s melodic. It’s organic. It’s meticulously constructed. It feels like a collaboration between Stockhausen, Merzbow, and Debussy. It also reminds me a bit of the brilliant Brainiac song Collide. In short, I really love it. Ethier is a Nashville musician to keep your eye on.

Of the release, Dylan’s website says,

Tape reconstruction of saturated analogue electronic patterns focusing, through fragmentation, on the exchange between lucidity and loss. An alternate version of Nightly Exchange was presented live as an interactive installation on march 9, 2012 in Nashville, TN in collaboration with the exhibition titled Nest of Trash curated by Molly Lahym. The installation involved real-time collaging of deteriorating 1/4″ tape recordings. These recordings were then looped / manipulated between three tape machines at various speeds which additionally subtly triggered synthesized video projections. Presented inside a structure of black fabric and wood, exhibitors were free to further manipulate the audio / visual content. The intent here was in utilizing found materials in the process of constructing a creative and meditative environment.

I was out of town on the night of the Nest of Trash show, and I’m really bummed I missed it! Purchase Nightly Exchange via Dylan’s website and preview Side A in the Soundcloud stream below.

We’ll keep you posted on the next time Dylan performs or does an installation. I’m in talks with him to collab on a T.I. podcast. Fingers crossed.