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tonyyoungblood

Aug 242012
 


I’m fascinated by tape loops. We experimented with really long tape loops on T.I. episodes Stone in Stream and Attrition. I even attempted to make a slot car tape loop. (Needs refinement.)

So it’s no surprise that I’m excited about tape loop master Jason Lescalleet coming to Brick Factory Nashville, Saturday, August 25th. As Chris Davis writes on the Facebook event page:

Jason Lescalleet is a high level musique concrete artist performing his music on reel-to-reel tape machines. His live performances are a fascinating journey down a rabbithole of sound…one of Lescalleet’s most striking talents is his ability to extract and build upon singular aspects of a sound…a microtonal universe of exploded details. Lescalleet is also an imaginative collaborator, having worked with some of the greatest contemporary sound artists–Aaron Dilloway, Joe Colley, John Hudak, Graham Lambkin, Greg Kelley and Bhob Rainey of nmperign and with Ron Lessard as a member of Due Process.

Watch a video of Jason performing live in Paris at the end of this post.

Also on the bill are lo-fi looper Todd Gerber and Ephemeral Throne, the new project by Aether Jag’s Bridget Venuti and local noisemaker Reid Campbell.

Todd makes ambient loops generated by the legendary Casio SK-1 keyboard. I interviewed him and his brother Tony Gerber on T.I. episode 90. Todd tells me that he won’t be breaking out the SK-1s for this show, but he will be bringing some of his current battery-operated favorites.

Bridget Venuti is a brilliant circuit bender and instrument designer. Check her out on T.I. episode 79.

Jason Lescalleet, Todd Gerber, Ephemeral Throne
Saturday, August 25th, 9pm
$7-$10 suggested donation to touring band

Brick Factory Nashville (inside Cummins Station)
Suite 126
209 10th Ave South
Nashville, TN 37203

Enter street level, walk to center of building
Take Elevator B to lower level
Turn right, you’re there.

Aug 152012
 

Gerber & Gerber live at Brick Factory Nashville

Today on the podcast, I interview brothers Tony and Todd Gerber. Tony and Todd have been making music together and separate since they were ages 9 and 3, first in Northern Indiana where they grew up, and later in Nashville, TN.

Tony Gerber wears many hats, including visual artist, virtual reality homesteader, and record label founder; but it’s his contribution to electronic, ambient, and space music that put him on the map. As a solo artist, with his band Spacecraft, and in dozens of other projects, Tony’s music has been featured in movie soundtracks, planetarium shows, and on the NPR program “Hearts of Space.” His alter ego and avatar Cypress Rosewood performs concerts in the virtual reality world of Second Life.

In 1992, Todd Gerber helped establish the Casio SK-1 keyboard as a valid musical instrument in his band UMLAUT with Troy Sharp, long before the instrument achieved cult-cool status. Soon after, he co-founded the bands drrdrr and Dinah Shore, Jr., and with the latter he performed on bills with Robert Fripp, Adrian Belew, Trey Gunn, The Amazing Delores, and Trans Am.

On May 7th 2012 at Brick Factory Nashville, Tony and Todd performed together for the first time in 9 years as the new project Gerber & Gerber. We play a clip of that performance on this showcase. You can download the full performance for FREE right here: Gerber & Gerber live at Brick Factory Nashville, May 7th, 2012. (Left click to stream, right click to save.)

Here is the full listing of the songs we play on this episode. (Ordered by band, album, title.) 1. Spacecraft, Hummel, Galileo. 2. Umlaut, SK-1 Works 1989-1994, Untitled. 3. Spacecraft, Spacecraft, Transmission. 4. Port of Saints, Falling Shadows. 5. Todd Gerber, Ponder Solo Work, Love’s Philosophy. 6. Gerber & Gerber, Live at Brick Factory Nashville. 7. Cypress Rosewood, Isle of Wyrms, Weightless in Flight.

Todd and Tony will be playing as Gerber & Gerber Friday, August 17th at the Midwest Electro-Music Experience in Indianapolis, Indiana. Tony will also play the festival Saturday, August 18th with Paul Vnuk, Jr.

Todd is performing in Nashville on a bill with tape loop master Jason Lescalleet, Saturday, August 25th at Brick Factory Nashville.

Tony and Todd have been at the heart of the Nashville experimental and electronic music scenes since the late 1980s. I’m incredibly excited to have them on the show!

On the episode, we discuss TonyGerber.com, Spacecraft, Cypress Rosewood’s YouTube channel, Dinah Shore Jr., Space for Music, the Casio SK-1, Tim Kaiser, City Skies Festival, Umlaut, Masterfonics, Brick Factory Nashville, Kirby Shelstad, Mary Mancini, Lucy’s Record Shop, Sudekum Planetarium, The Nashville Intelligence Report, Suburban Baroque, Don Evans, Gil Trythall, Moog Music, Giles Reaves, William Linton, Johnny Blackburn, John Rose, Diane Timmons, Rob Mitchell, Stephen Anderson, Matt Swanson, Hummel Planetarium, Nashville Parthenon, Second Life.

Aug 102012
 

DaveX live at the 2010 Circuit Benders’ Ball

 

I’m incredibly excited to announce a date for the 2012 Circuit Benders’ Ball. The event will take place at Brick Factory Nashville on Saturday, September 29th, 2012.

If you’re interested in performing, exhibiting art, or volunteering, read on!

Brick Factory Nashville and Theatre Intangible present the Circuit Benders’ Ball, a day-long symposium dedicated to the art of the bend. Circuit bending is the modification of battery-powered toys in order to create a smorgasbord of alien sounds: bleeps, buzzes, crackles, squawks, and blips. And one of the things that makes it so cool is that you don’t need a lot of technical know-how to get started. All you need, really, is curiosity, a screwdriver, and a willingness to experiment and play. The Circuit Benders’ Ball will feature two stages, over a dozen performers, an interactive art gallery, and circuit bending workshops.

Here is a media repository for the Circuit Benders’ Ball 2010.

You don’t have to circuit bend to participate. There are plenty of ways to be involved. Read on to learn about performing, visualizing, exhibiting, teaching, discussing, booth hosting, volunteering, donating, and sponsoring.

If you’d like to apply, please send a short e-mail to submissions at theatreintangible dot com, telling us who you are and what you’d like to do.

Perform!

As with CBB2010, we’ll have two stages for quick turnover and short sets to make room for many artists. Sets should be approximately 15 minutes. Rigs should be simple and easy to hook up / break down.

Performances should somehow involve circuit bending or homemade electronics. You need not have built the machines yourself. In 2010, we limited the pool to experimental and non-rhythmic music, but we’re relaxing our rules this year to include any type of music that uses circuit bending. (Although experimental / non-rhythmic is still our main focus.)

We’re also open to multimedia performances, including dance, projection, and whatever you can dream up!

Visualize!

One of the most talked-about aspects of the CBB was the pairing of performers with visual artists. We’d love to bring that back this year! If you’re a filmmaker, lighting designer, or artist of any stripe, you can collaborate with a performer to mastermind a beautiful audio/visual synthesis. At the 2010 event, William Howard played a glitched-out circuit bent Sega Genesis Sonic the Hedgehog game while Tim Kaiser, Jeremy Walker, and others made a musical improv. Matt Christy, Kelli Hix, Austin Alexander, and others made incredible visual pieces projected over the artists. Depending on the response, we may pair every performer with a different artist or have one artist in charge of each stage. Let me know if you have a specific performer in mind.

Exhibit!

We’re looking for art to display in the CBB gallery. Art can be 2D, 3D, sculpture, interactive, or installation pieces. In keeping with the theme, the art should have an electronic or mechanical element. We love interactive devices that make light and/or sound!

The art of MTSU’s Gizmology Club seen here in this Seed Space gallery is right up our alley!

Also, automata!

And, of course, beautiful circuit bent devices!

Teach!

Host a workshop on guitar pedal hacking, soldering, kit building, or whatever electronic/music topic you can dream up! Previous topics include Circuit Bending 101 and Bottle Cap Contact Mic building. You set the workshop fee. Brick Factory takes 15 percent, you pocket the other 85 percent.

Discuss!

We’re considering adding panels to this year’s event. Lead a discussion or join someone else’s. Here’s an example of a panel topic a local bender submitted:

Towards a Circuit Bending Standardization: This panel explores developing a technical standard for circuit bending interface and controller design. Such a standard could benefit designers who aim to sell their innovative devices while making it easier for artists to assemble a fully interconnectable arsenal of circuit bent instruments without any electronics expertise.

Host a Booth!

If you have a maker’s club or art/electronics business, set up a booth to educate, inform, or sell! In 2010, we had representatives from the Hacker Consortium and the Middle Tennessee Robotic Arts Society. Booths are free and subject to approval.

Volunteer!

We need all the help we can get. Here are some positions you can apply for.

Poster/t-shirt designer: We need a bad-ass artist who can design bad-ass posters t-shirts, festival badges, as well as contribute to the web design.

Gallery assistants: Needed: 2-4. Art and gallery directors Megan Kelly and Stephen Zerne will transform the Brick Factory into a magical electronic world in a very short time span. They need your ideas and your muscle!

Workshops/Panels director: Needed 1. In charge of coordinating the panels and workshops and acting as a liason to the panellists and instructors.

Videographers: Needed: 1 to 2. We’d love to release a dvd of this year’s performances. That means we need talented videographers with their own cameras who can get great shots in ever-changing lighting conditions. The videographers will work in advance with the lighting/projection manager to make sure all lighting decisions will look spectacular on camera. Videographers will work out camera placement in advance and mark off necessary space and perhaps even set up home made camera tracking rigs.

Lighting / projection engineer: Needed 1. Will act as a liason to the visual artists projecting work and will mastermind the stage lighting and projectors. Will be able to hook up various media to the projectors on short notice, including Mac and PC laptops, DVDs, video game consoles, etc. Will work with the videographers to ensure appropriate light levels for recording.

Photographers: Needed: 1 to 2. Take great pictures!

Audio recorder: Needed: 1. Use a supplied Marantz field recorder to record the performances. Some sets will be tapped from board audio, others will need mics. Will work out in advance a recording plan.

Stage engineers: Needed: 2. Will set up and mix the performers. One engineer per stage. Will work out what cables, adapters, mics, stands, etc the performers will need in advance.

Stage managers: Needed: 1. Stage managers will make sure all the performances are running smoothly and get people to where they need to be when they need to be there. Works closely with the artist liason.

Artist liason: Needed: 1. Will meet and greet the artists and acts as a conduit between the artists and staff.

Press secretary: Needed: 1. Will send out press releases to all the local media agencies. Will Secures interviews, coverage. Organize flyer runs. Handle social media.

Door / concessions / etc: Needed: 4. Will take ticket, sell beer, load equipment, pick up pizza, kick ass!

Donate something as a Kickstarter Prize!

Kickstarter campaigns generally offer prizes for levels of contribution. See the Columbus Circuit Benders’ Ball Kickstarter for examples. http://www.kickstarter.com/projects/thefusefactory/circuit-benders-ball-columbus

Possibilities include CDs of your music, products from your electronics/circuit bending business, coupons/free tickets to your local business, custom art, and more! Noise artist Leslie Keffer offered dream catchers that she built herself. What can you donate? Up to how many?

Sponsor!

Do you own a local company that would like to donate supplies, services, or cash? Finger foods? A keg of your quality beer? Sponsor CBB, and we’ll love you forever as well as include your name on badges, posters, t-shirts, and ad materials.

Compensation:

The Circuit Benders’ Ball is a non-profit event created to educate, inspire, and connect. Soon, we’ll launch a Kickstarter campaign (modelled after the Columbus Circuit Benders Ball Kickstarter) to help finance the event. All Kickstarter donations and ticket sales (after venue rental and supplies) go to the artists, on a sliding scale, based on distance from Nashville. The farther you have to travel, the bigger piece of the pie you get. We may agree to a set guarantee for one feature artist, to be decided. The more we make, the more the artists make. Not a dime goes to me, the organizer. More details coming soon.

Submit!

Submit now through August 25th.

If you’d like to submit for any of the above, please send a short e-mail to submissions at theatreintangible dot com, telling us who you are and what you’d like to do. Workshops and panels will take place from (approx) 10am to 4:30pm. Performances and exhibitions will take place from (approx) 6pm to 11:30pm.

Aug 012012
 

Ypsmael live at A Day and a Night Festival, Cambridge. Photo by John Boursnell

If you still have some steam left after a killer weekend of shows, don’t miss this Sunday show at Noa Noa, featuring New York experimental cello player T.J. Borden. If you like the extended technique of double-bassist and T.I. participant Thomas Helton, then you’ll really dig T.J. At the end of the post, check out the just-published video (and when I say JUST, I mean in the last 5 minutes. I was the first viewer!) of T.J. performing with Steve Ricks and Christian Asplund at Locust Salon. One of the players appears to be bowing a cardboard box!

The dual headliner is Ypsmael, the mixed media project of Cambridge, UK-based German artist N. Ismael M. As his bio reads: “Ypsmael granularly unfurls delicate and atmospheric soundscapes, formed by clouded loop narratives and subtle build-ups of hazy drone swells. Slow-glowing pulses of audio detritus meld into chasms of warm, powdery noise washes and subdued vocals. Ypsmael studies ways to create and devise a personal vocabulary to this eclectic formula, focusing on the textural and cinematic properties of effects-treated vocal layering, field recordings and live instruments (e.g. baritone guitar, bass, piano, melodica, glockenspiel) as a main ingredient for in situ accidentalist composition. Recordings are usually made in one take; live performances are usually free improvisation.”

Hell yes!

Also on the bill are locals Stephen Dunning (experimental violin) and Lawrence Crow (open-source soundscapes).

Because it’s a Sunday, this show will begin promptly at 8pm! More info on the Facebook event page. Full disclosure: I organized this show.

Other great shows this weekend: Friday at Betty’s: Nudity, SAURuS, and Foster Dad. Saturday at Noa Noa: Big Waves of Pretty, Stephen Molyneux, Samuel Steelman, and Promised Land.

T.J. Borden, Ypsmael, Lawrence Crow, Steven Dunning (Nashville)
Sunday, August 5th, 2012
Doors at 7pm, music at 8pm sharp

byob, $6 to $10 suggested donation to touring bands, park on street or in nearby business lots
Noa Noa (house)
620 Hamilton Avenue
Nashville, TN 37203