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Jul 092012
 

It’s the Great Podcast Releasathon 2012!(tm) this week at Theatre Intangible, a glorious celebration with a new podcast each day! Actually, I made that up. I’m just way behind on my release schedule, I had several old episodes ready to go, and I thought a fancy name would make it appear as if it were intentional.

We kicked off the festivities yesterday with Catharsirator from the WIDB era.

Today’s release is podcast 86: A Wild Snore, featuring Gordon Roque on melodica and vocals; Melody Holt on vocals and musical saw; Cody Bottoms on vocals; myself on musical saw; Anderson Cook on guitar and chaos pad; Randy Hunt on double bass; and Lawrence Crow on keyboards, Theremin, and Supercollider / Puredata programming. I did the live mixing, editing, and mastering. A Wild Snore was the 18th episode of the WRVU era of Theatre Intangible, recorded August 17th, 2008. It’s still one of my favorites.

Stay tuned for another podcast tomorrow!

Jul 082012
 


Here’s podcast 85: Catharsirator, featuring DaveX, Tom Denney, Jacob Riley via phone call-in, myself, and probably some other people I can’t remember. We recorded Catharsirator way back in 1999 at my college radio station WIDB on the campus of Southern Illinois University. It was somewhere around the 15th episode of the original incarnation of Theatre Intangible, ~Ore~ Prefab Audio Extrapolations. I remember this as one of my favorite episodes, but listening back now, I’m not exactly sure why. Memory plays tricks.

Keep listening near the end for Dave’s ticked off rant to the audience where he announced he was, “sick of playing with ameobas and light and shit.” He went on to say this episode was our creative peak, but given the context, I think he may have meant creative plateau.

All the same, there are a few nice moments. I did the live mixing back in 1999 and the mastering and (admittedly heavy) editing last week. Enjoy this little nugget from 1999.

Update: DaveX gives his thoughts on the episode and his infamous rant:

Yeah, I did get a chance to listen. We had some interesting sounds going at times, despite (or perhaps because of) what I detect as my earnest, constant efforts to throw everyone off-kilter. Overall, Catharsirator is better than I remembered. I’ll chalk it up to your editing, I’m guessing there’s about 20 minutes you left on the cutting room floor? (Tony’s note: More like 30 minutes, including some bad rapping by Jacob and me.)

I did want to explain my statements at the end, though– oddly enough, I remember (mostly) what I was thinking. Basically, I was frustrated with the limitations of the show, at least in terms of our audience. I didn’t expect too many people to ever be tuning in, but it was important to me that our ongoing experiments into listening and sound-making were more than just entertainment, or exercises in providing passive experiences for listeners to consume. You might recall that I was always trying to figure out ways to involve people on the “other end” of the show, whether it was encouraging them to come in and join us, or move around, listen in different ways, etc. But of course, this really never materialized. By the Catharsirator episode, I was more than a little into the feeling that we were kicking a dead horse. When I mentioned “amoebas and lights” I was referring to science experiments I probably read about in a textbook somewhere– describing phototropic response in amoebas. So yeah, I basically called the audience out as single-celled lifeforms, which wasn’t very kind of me. In retrospect (as it is with so many things) I wish I’d known how to phrase things more diplomatically. There might have been room to grow without all that condemnation in the air! My belated apologies to anyone who DID tune in that evening are definitely in order, haha. Still, it would be misleading if I said that confrontation and reaction wasn’t a fairly large element of those early ~Ore~ broadcasts, not to mention the experimental nature of the show. Experiments don’t necessarily go where you point them! It’s interesting to hear all that frustration, though– that’s definitely one kind of push that got me interested in new ways of making music and creating sounds, as well as new ideas about sharing them.

–DaveX

Jun 182012
 


Here’s podcast 84: Bad Vibes, featuring Brandon Able from MICROWAVE WINDOWS, Douglas Lucas from MU, Brendan Mucillo from HARDON COLLIDER, and Alan Sweeny and Aaron West from ASHOCHIOUS. We recorded this episode on Saturday, April 14th, 2012 after the bands came down for a show at Noa Noa. This is an improv very rich in texture, featuring circuit bending, modified guitar, tape loops, hum, buzz, feedback, effects, and much more. If you’d like to hear interviews with the bands, check out episode 83 featuring Hardon Collider and Microwave Windows and episode 82 featuring Mu. All of the bands are playing the Louisville Experimental Festival kicking off June 27th. If you’re in the Louisville area, don’t miss it!

May 302012
 

Microwave Windows

Keeping up the momentum, I present podcast 83: Hardon Collider and Microwave Windows Artist Showcase!

Experimental bands MICROWAVE WINDOWS, HARDON COLLIDER, MU, ASHOCHIOUS, and JEREMY BENNETT played Noa Noa in Nashville on Friday the 13th, April 2012. Last week, we release an interview with Mu’s Douglas Lucas and the Noa Noa sets from Mu and Ashochious. This episode features an interview with Hardon Collider’s Brendan Muccillo and Microwave Window’s Brandon Able as well as their Noa Noa sets. Soon, we’ll release the giant head of this audio Voltron: the live improv featuring all four bands!

We recorded the interview the day after the concert on my back porch. It’s all over the place in the best sense of the term. Brandon, Brendan, and I talk about their upcoming gigs at the Louisville Experimental Festival; ELECTRIC INERTIA; the experimental scenes in Cincinnati, San Francisco, Miami, and other places; the phobias of moving and not moving; JEREMY BENNETT; the soon-to-be-announced 2012 Circuit Benders’ Ball Nashville; father of circuit-bending REED GHAZALATHRIFTSORE BORATORIUM‘s geodesic sound dome; the 2011 FauxBeAnt Art Fair; and Brandon’s run in with police brutality. In the podcast, we mentioned Brandon Able lives in Lexington. Since the taping, Brandon has moved back to the East Coast.

Check out a few video clips of the Noa Noa performances below. The podcast player is at the very bottom of the article. Enjoy!