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Oct 172011
 

Georges Braque – Houses at L’Estaque – 1908

Here’s episode 69, Art Waves, the third of three Theatre Intangible presentations, performed live at Gallery F on August 27th, 2011. The performances all sought to bridge the gap between science and art. Check out the previously-released Brainwaves and Space Waves.

Art Waves features Craig Schenker on saxophone and Jamison Sevits on trumpet. Their performance is new interpretation of Steve Lacy’s song cycle Tips, composed in 1979 for voice, soprano sax, and alto sax. The pieces were responses to text selections from the notebooks of painter Georges Braque.

Here’s an excerpt from Steve Lacy’s notes to Tips (1980):

These are aphorisms, speculations, observations, but especially, advice to himself as an artist, and to all other artists.

Last year, I took fourteen of these phrases, and set them, in a chosen order, for voice and soprano and alto saxophones. Illustrated by the improvised sections, the result is a sort of ‘casebook cantata’, and a working examination into the nature of free play, in this case between two saxophonists, but also about preparation and spontaneity, and of music and information.

Craig and Jamison chose a selection of the pieces and arranged them for trumpet and saxophone. Here are the quotes they chose:

1. We will never have any peace. The present is perpetual.
2. I want to be in tune with nature rather than copy it.
3. Art is made to trouble. Science reassures.
4. Limited means lead to new forms, invite creation, make style.
5. Echo answers echo. All is repercussion.
6. With Age, art and life become one.

Sep 282011
 

I’ve been sitting on this one for way too long. Shortly after their phenomenal Theatre Intangible improv, sound artists FUN sent me their variations on the episode. What can you do with 20 minutes of textural noises? If you’re FUN, the answer is quite a lot! They sliced, diced, chopped, and recontextualized the audio (even using my voice during the level checks), turning an already great improv into an EPIC audio journey, the LEAVES OF GRASS of noise collage. The result is like nothing we’ve ever released. Fans of field recording, sound art, audio collage, and artists such as MERZBOW and DAVENPORT will love this. I’m proud to be a part of it.

Download the remixes here: (Right-click to save-as, left-click to play)

FUN Theatre Intangible Variation #1

FUN Theatre Intangible Variation #2

Sep 192011
 

Here’s episode 68, Space Waves, the second of three Theatre Intangible presentations, performed live at Gallery F on August 27th, 2011. The performances all sought to bridge the gap between science and art. You can hear the first wave, Brainwaves, on podcast 67. The third, Art Waves, will be on the podcast next week.

For Space Waves, a three-piece jazz ensemble inspired by Don Cherry’s world fusion period meditates on the planets. This theme was entirely conceived and composed by the participants: Jamison Sevits on trumpet/flugelhorn, Randy Hunt on upright bass, and Matt Aurand on percussion.

Enjoy.

Sep 022011
 

Dylan Simon, Ken Soper, Tony Youngblood

Ken Soper and Dylan Simon make analog synthesizer music . . . WITH THEIR MINDS!!!

Sabine Schlunk from Gallery F asked me to curate the music portion for the August 27th opening reception of the exhibition Figure 1: Scientists and Artists Picture the Intangible. The T.I. crew ended up doing a total of three improvs (the second, a jazz love letter to the planets helmed by Jamison Sevitts; the third, an ode to art and the philosophy of George Braque directed by Craig Schenker).

The first was “Brainwaves,” a collaboration between KEN SOPER, DYLAN SIMON, and myself. Ken has been experimenting with a Teletron — Robert Schneider’s hacked Mindflex toy that outputs one’s thoughts to control voltage. He put on a phenomenal proof-of-concept set at the Tim Kaiser Noa Noa house show earlier this year. For this performance, we decided to use TWO Teletrons. I very hastily hacked the one that’s been lying in my basement for a year, and Dylan Simon took the controls. The result is a visual and auditory experiment-gone-right. Enjoy.

Watch the below clip for a great introduction by Ken Soper. Stay tuned for podcasts of the night’s other two improvs.