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Dec 062014
Nance Cooley

Nance Cooley

Joe Nolan at the Nashville Scene has all the juicy details on Saturday’s art crawls, including the Replication 3D printing show at Fort Houston, which features a few of my pieces. There’s tons of stuff to see tomorrow, including the always-popular Porter Flea Market at Track One. Go read Joe’s article for all the specifics.

One thing he didn’t mention (but Laura Hutson wrote about) is the Paper, Thread, and Trash show at the Nashville Public Library, which opens Saturday from 2-4 p.m. Curated by Courtney Adair Johnson, the show addresses, “the issues of consumption and waste by using found and superfluous materials to build original and unique books through very literal interpretations to installations and conceptual based projects.” I have to admit, they had me at Nance Cooley’s automata sculpture in the image above. Just brilliant.

The show features the works of Aletha Carr, Nance Cooley, Meredith Eastburn, Kelly Falzone, Kathryn Gonzalez, Emily Holt, Courtney Adair Johnson, Megan Kelly, Kit Kite, Cynthia Marsh, Lesley Patterson-Marx, Nelson Meadows, Lisa Rivas, and Jamaica Shaw. Don’t miss it!

Jan 282014
Zack Hall @ 444 Humphreys

Zack Hall @ 444 Humphreys

February’s Arts & Music @ Wedgewood/Houston is this Saturday in the neighborhood I call home, and it looks to be one of the best yet.

444 Humphreys St will have an opening reception for a new video installation by Zack Hall. Zack is a talented director, editor, and cinematographer. He’s the force behind the Belcourt Theatre‘s repertory film trailers and ingenious pre-show shorts for the midnight series. (Case in point: This brilliant Jurassic Park pre-show short.) Zack also provides visuals for Space is the Place nights at the Stone Fox and cuts the trailers for The Light and Sound Machine at Third Man Records.

444 Humphreys is the pop-up porch space (and by a stroke of luck the street address) at a location which also houses the Julia Martin Gallery and Cleft Studios. The Julia Martin Gallery will be open with work from Julia, David Kenton Kring and other artists.

Down the street at 467 Humphreys, the Infinity Cat Recordings office is having an open house. The Nashville label behind bands like JEFF the Brotherhood, Be Your Own Pet and PUJOL hardly ever opens to the public. Don’t miss your chance to see the Orrall family’s curious collection of art & memorabilia.

At 425 Chestnut Street, OVVIO ARTE will feature the work of Veta Cicolello and at 9 p.m. the music of the aptly-named Music Band.

At 500 Houston St, Fort Houston will exhibit an ongoing print show, featuring work from Grand Palace Silkscreen, Kangaroo Press and Boss Construction Design Screenprint.

At 516 Hagan St, Zeitgeist Gallery will continue a painting and photography show featuring work by Megan Lightell, Terry Rowlett, and Peter Alan Monroe.

If you’re a Facebook user, you can find more info about the event at the Arts & Music @ Wedgewood/Houston Facebook page. Check the individual gallery links to find out specific opening and closing times.

There’s also good stuff happening at the First Saturday Art Crawl at the Arcade.

arts & music at wedgewood/houston map

Jan 072014
Logo by Rachel Briggs.

Logo by Rachel Briggs.

The 2014 Circuit Benders’ Ball is now accepting submissions! We’re looking for performers, live visual accompanists, multimedia artists, workshop instructors and speakers. The entry deadline is Sunday, February 9th at 11:59 p.m. To submit, fill out this short form.

The Circuit Benders’ Ball is a biennial celebration of hardware hacking, art, music and the creative spirit. The event will take place at Fort Houston in Nashville, TN on Saturday, April 12th, 2014. The Ball will feature (at least) two stages, ten or more performers, an interactive art gallery and electronic workshops. Learn more about the 2010 Circuit Bender’s Ball here and the 2012 Ball here.

The submissions will be reviewed by a panel of judges, including myself, Geo Leonard, Josh Gumiela, Megan Kelly, and Stephen Zerne.

We want the Ball to be a safe and welcoming environment for everyone, and we’re working on drafting a strong anti-harassment policy (and subsequent staff training) to ensure that all performers and attendees feel safe and comfortable. We’re also doing everything we can to make sure the call goes out to a wider audience than just our social networks. Our previous CBBs were over-representative in straight white cisgender male performers, and we intend to work harder this year at recruiting more women, people of color, people with disabilities and people who are gay, bisexual, asexual, intersex or transgender. This doesn’t mean we’re discriminating against straight white dudes or selecting performers based on any of these characteristics. Rather, we’re attempting to confront implicit biases in ourselves and in the selection process that could discriminate against people with these or other characteristics.

Here are some guidelines on what we are looking for.

Music/Multimedia Performers

We’ll have at least two stages for quick turnover and short sets to make room for many artists. Sets should be approximately 15 minutes. (Longer for headliners.)

Performances should somehow involve circuit bending, instrument design or creative coding. You need not have built the machines yourself. Although experimental / non-rhythmic is our main focus, we’re also open to other genres. We’re also open to multimedia performances, dance, theatre, projection mapping and whatever you can dream up!

Live Visual Accompanists

One of the most talked-about aspects of the previous CBBs was the pairing of performers with visual artists. If you’re a filmmaker, lighting designer, or artist of any stripe, you can collaborate with a performer to mastermind a beautiful audio/visual synthesis.

Visual Artists

We’re looking for art to display in the CBB gallery. Art can be 2D, 3D, sculpture, interactive, film/video or installations. In keeping with the theme, the art should have an electronic or mechanical element. We love interactive devices that make light and/or sound! You can also show off some of your circuit-bent gear!

Workshop Instructors

For this year’s ball, we’re looking for simple, inexpensive workshops. For that reason, all workshops will cost $15 and last 1 hour and 15 minutes. Workshop teachers get $12.75 per student. Fort Houston gets the remainder. All materials and teacher fees must come out of the $12.75 per student. The challenge for the teachers is to pick a topic that doesn’t use expensive materials and doesn’t take longer than an hour and 15 minutes from start to finish. Examples of low cost workshops include paper circuits, paper automata and introductory courses to programs like PureData and Supercollider.

Keeping the class time short means we can program more workshops. Keeping the costs low means we can attract more students.

Workshop teachers must source all materials, except for materials provided by Fort Houston and the students.


We would love to add panel and presentations to this year’s event! Lead a discussion or join someone else’s.

Here’s an example of a panel topic a local bender submitted:

Towards a Circuit Bending Standardization: This panel explores developing a technical standard for circuit bending interface and controller design. Such a standard could benefit designers who aim to sell their innovative devices while making it easier for artists to assemble a fully interconnectable arsenal of circuit bent instruments without any electronics expertise.


The Circuit Benders’ Ball is a non-profit event created to educate, inspire, and connect. Soon, we’ll launch a Kickstarter campaign to help finance the event. All Kickstarter donations and ticket sales (after expenses) go to the artists, on a sliding scale, based on distance from Nashville. The farther you have to travel, the bigger piece of the pie you get. We may agree to a set guarantee for featured artist, to be decided. The more we make, the more the artists make. Not a dime goes to me or anyone on the organizing staff. More details coming soon.


Apply to the Ball with this short form. The entry deadline is Sunday, February 9th at 11:59 p.m. In fairness to everyone, we won’t start assembling a lineup until the deadline has passed. Once we’ve assembled a lineup (approximately February 15th), we’ll seek confirmation with the artists we’ve picked. When everyone is confirmed, we’ll notify the artists who were not selected and then announce the lineup publicly. See you in April!

Dec 162013


It’s my pleasure to announce the date and location for the 2014 Nashville Circuit Benders’ Ball. The biennial daylong festival celebrating hardware hacking, art, music and the creative spirit will take place at Fort Houston on Saturday, April 12th, 2014. The 2012 Ball took place at Brick Factory, Fort Houston’s previous location and moniker, and we’re pleased to be partnering with them again. 2010 and 2012 art directors Megan Kelley and Stephen Zerne return for 2014. 2012 participant Josh Gumiela and Brighton, England noise artist and promoter Geo Leonard will chair the event with me.

We’re working hard preparing the CBB website, call for artists, Kickstarter campaign and more. Stay tuned to Theatre Intangible for more Ball announcements in the coming weeks!