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tonyyoungblood

Jul 092012
 

It’s the Great Podcast Releasathon 2012!(tm) this week at Theatre Intangible, a glorious celebration with a new podcast each day! Actually, I made that up. I’m just way behind on my release schedule, I had several old episodes ready to go, and I thought a fancy name would make it appear as if it were intentional.

We kicked off the festivities yesterday with Catharsirator from the WIDB era.

Today’s release is podcast 86: A Wild Snore, featuring Gordon Roque on melodica and vocals; Melody Holt on vocals and musical saw; Cody Bottoms on vocals; myself on musical saw; Anderson Cook on guitar and chaos pad; Randy Hunt on double bass; and Lawrence Crow on keyboards, Theremin, and Supercollider / Puredata programming. I did the live mixing, editing, and mastering. A Wild Snore was the 18th episode of the WRVU era of Theatre Intangible, recorded August 17th, 2008. It’s still one of my favorites.

Stay tuned for another podcast tomorrow!

Jul 082012
 


Here’s podcast 85: Catharsirator, featuring DaveX, Tom Denney, Jacob Riley via phone call-in, myself, and probably some other people I can’t remember. We recorded Catharsirator way back in 1999 at my college radio station WIDB on the campus of Southern Illinois University. It was somewhere around the 15th episode of the original incarnation of Theatre Intangible, ~Ore~ Prefab Audio Extrapolations. I remember this as one of my favorite episodes, but listening back now, I’m not exactly sure why. Memory plays tricks.

Keep listening near the end for Dave’s ticked off rant to the audience where he announced he was, “sick of playing with ameobas and light and shit.” He went on to say this episode was our creative peak, but given the context, I think he may have meant creative plateau.

All the same, there are a few nice moments. I did the live mixing back in 1999 and the mastering and (admittedly heavy) editing last week. Enjoy this little nugget from 1999.

Update: DaveX gives his thoughts on the episode and his infamous rant:

Yeah, I did get a chance to listen. We had some interesting sounds going at times, despite (or perhaps because of) what I detect as my earnest, constant efforts to throw everyone off-kilter. Overall, Catharsirator is better than I remembered. I’ll chalk it up to your editing, I’m guessing there’s about 20 minutes you left on the cutting room floor? (Tony’s note: More like 30 minutes, including some bad rapping by Jacob and me.)

I did want to explain my statements at the end, though– oddly enough, I remember (mostly) what I was thinking. Basically, I was frustrated with the limitations of the show, at least in terms of our audience. I didn’t expect too many people to ever be tuning in, but it was important to me that our ongoing experiments into listening and sound-making were more than just entertainment, or exercises in providing passive experiences for listeners to consume. You might recall that I was always trying to figure out ways to involve people on the “other end” of the show, whether it was encouraging them to come in and join us, or move around, listen in different ways, etc. But of course, this really never materialized. By the Catharsirator episode, I was more than a little into the feeling that we were kicking a dead horse. When I mentioned “amoebas and lights” I was referring to science experiments I probably read about in a textbook somewhere– describing phototropic response in amoebas. So yeah, I basically called the audience out as single-celled lifeforms, which wasn’t very kind of me. In retrospect (as it is with so many things) I wish I’d known how to phrase things more diplomatically. There might have been room to grow without all that condemnation in the air! My belated apologies to anyone who DID tune in that evening are definitely in order, haha. Still, it would be misleading if I said that confrontation and reaction wasn’t a fairly large element of those early ~Ore~ broadcasts, not to mention the experimental nature of the show. Experiments don’t necessarily go where you point them! It’s interesting to hear all that frustration, though– that’s definitely one kind of push that got me interested in new ways of making music and creating sounds, as well as new ideas about sharing them.

–DaveX

Jun 262012
 

Boston area violinist and electronic improvisor MORGAN EVANS-WEILER will perform at Noa Noa on Friday, June 29th. Fans of the extended instrument technique of artists like JOHN BUTCHER, THOMAS HELTON, and local BRADY SHARP should not miss this show. Check out the clip below to see what I’m talking about.

Also performing are the esoteric synthesis of DYLAN SIMON and the ambient tape loops of SPARKLING WIDE PRESSURE. All and all, it’s an evening of challenging and fascinating music. It all goes down at 8pm sharp on the back porch of Noa Noa.

Before you head over, stop around the corner at Chestnut Studios to see new openings at Seed Space and Threesquared. At the former, the opening reception of “Fortune Holiday,” a new installation by NICOLE BAUMANN. At the later, an opening of 2D works by our good friend MATT CHRISTY. Both receptions are from 6 to 8pm at Chestnut Studios, 427 Chestnut Street, Nashville, Tennessee 37203.

More info about the Noa Noa show at the Facebook event page.

Friday, June 29th, 8pm, all ages, byob, $5
An evening of experimental, abstract music featuring
Morgan Evans-Weiler
Dylan Simon
Sparkling Wide Pressure

Back yard @ Noa Noa (house)
620 Hamilton Avenue, Nashville, TN 37203
Park on street, business lots, or walk from Chestnut Studios

Jun 232012
 


Catch one of Austin, Texas’ best and brightest rock bands this Sunday at Brick Factory Nashville. WEIRD WEEDS make GREAT music, and you need to be at this show. That’s as poetic as I’m going to wax. For more, listen to the songs on their Bandcamp and read the below quote from Sedimental Records. Weird Weeds helmer Nick Hennies has his hand in many pies, including solo recordings of the works of ALVIN LUCIER and the occasional collaboration with outsider music enigma JANDEK.

Ten years, five records, and The Weird Weeds remain a band without a country. With songs too lopsided and winding to rock and tunes too overt for stuffier experimentalists, they happily occupy a territory all their own – strange and singular, but not devoid of a knotty interior logic. – http://sedimental.com/catalog/index.php?ID=67

Also on the bill are Nashville’s THE  CHERRY BLOSSOMS and DELUXIN’. Check the Facebook event page for more info. (Full disclosure: I helped organize this show.)

Hope to see you there!

Sunday, June 24th, 9pm
Weird Weeds, The Cherry Blossoms, Deluxin’

$6-$10 suggested donation, byob and Yazoo beer on tap.

Brick Factory Nashville (inside Cummins Station)
Suite 126 by Elevator B (middle of building, bottom floor)
209 10th Ave South
Nashville, TN 37203