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Jan 252010
 

Square People Artist Showcase with live songs from Chris Murray and Matt Jernigan.

“Square People” by Mikhail Pigichka

Theatre Intangible would like to unveil our artist showcase series with a great interview and live performance from Nashville’s own Square People.   Square People is a one (occasionally two or three) man army, busting up your speakers with ribald beats and surrealist poetry, diced up and run through various forms of tape and squash-bit manipulation.   I sat down with Chris Murray at JJ’s Market to discuss fair use, sonic texturism, Kate Bush, and more.  The crowd met our unannounced live performance with a mixture of indifference, outrage, and sub-mild curiosity.  For one lucky lady, the show continued on into the night . . .  in the women’s bathroom at JJ’s Market and later at the Square People mansion.  When you hear this episode, you’ll wish you were her.

We recorded the four live tracks on my Tascam 80-8 tape recorder.  The results — having been put through the ringer of digital to tape to digital to tape ad infinitum — are about as low-fi as it gets.  And that’s not necessarily a bad thing.  The show’s highlight for me is Square People’s rendition of Mario & Gucci Mane’s Break Up.  Follow that link to hear the original, then listen to the version herein; and you’ll start to understand the particular fucked-up genius that is Square People.

Chris Murray on 4 track and vocals.  Matt Jernigan on Chaos Pad and vocals.

Like what you hear?  See Square People live!  They’re playing March 13/14 at Little Hamilton for benefit for a new P.A.  They’re also playing March 27 at the  Fashion>Fascism show at the Open Lot.  Hope to see you at one of the shows!

Jan 172010
 

From ~ORE~ Prefab Audio Extrapolations, originally broadcast 04/15/99.  Starring Dave Armstrong, Tony Youngblood, and a cast of dozens.

It’s Sunday, January 17th, 2010 and today’s podcast is a blast from the past — Doug’s Party, a show from  ~ORE~ Prefab Audio Extrapolations.

~ORE~ Prefab Audio Extrapolations was the predecessor to ~ORE~ Theatre Intangible, broadcast from 1998 to 2000 on the student run radio station WIDB on the campus of Southern Illinois Universty in Carbondale, Illinois.  The show was hosted by myself and Dave Armstrong, now the blogger DaveX on the popular experimental music blog Startling Moniker.  Doug’s Party was the 13th episode of that show and the first Prefab Audio Extrapolation-era show of this podcast.  We hope to bring you more of the old shows in the coming months.

Doug’s Party was based on recordings we made during a college party thrown by our friend Doug Bigham.  It’s a time capsule of 1999.  Clinton was president.  The Matrix had just been released. Listening to this show 10 years later brings back a lot of fond memories, some cringes, and some surprises.  The soundtrack is filled with instrumental versions of songs I was writing at the time – many of which I’d forgotten about.

Despite everything, Doug’s Party holds up pretty well.  It’s a bit juvenile, and a bit too beat-driven (although I think that was part of the joke), but it really does capture a time in my life, all my awkwardness, and all my hang-ups.  Perhaps it will do the same for you.  I’ll end this intro with the text from a flyer I wrote in April of 1999, promoting the premiere broadcast of the episode.  Enjoy.  – Tony Y.  January 2010

P.S.  Almost forgot to mention — the intro music was pulled from a WRVU-era Theatre Intangible episode called Jazz Moped.  It gives the intro a film noir feel.  Look for the whole episode as a podcast soon.

Dougs Party Flyer

This was an original flyer we made for the episode Dougs Party

It was Thursday night April 1st, 1999.  We had just finished ~ORE~ episode 12.  I was feeling a bit depressed.  The person we had assigned to the guitar only played bad covers of Bush songs.  When I asked him to make something up, he said, “That’s all I know.”  He was right.  Moving his fingers to unfamiliar territory and taking a chance in the unknown would have killed him on the spot.  Se we made do.

After the show, Dave, Metty, Kate, and myself decided to go see The Matrix.  It merely depressed me more.  A normal little abnormal movie.  When we left the theatre, we were greeted by our good friend Doug.  If you don’t know Doug, then you don’t know Carbondale nightlife.  Doug is famous for throwing earth-shattering, law-breaking, stress-busting parties.  He had asked me to attend on many an occasion.  I have never attended.

But on this night, I felt different.  It was something in his tone when he explained his “post-April fools extravaganza.”  It had a lot to do with his grim look of doubt when he said, “I might as well not even ask you, Tony.  You won’t come.”

Now I had to come.  I had to re-instill the power of hope into Doug’s heart.  Dave and Metty agreed to attend.  It was to be.

Friday came.  Metty had devised a group look.  We were all to wear complete black.  She bought three pairs of shiny glasses and three pairs of Easter ears.  After wrapping the ears in tinfoil and donning them, we became, “The Easter Matrix.”  Jen G. decided to come along for the ride.  Sensing drama, I brought my tape recorder.

I can’t explain the events that happened that night.  It was a moment in time, encapsulated in a Memorex mini-tape recorder.  All I will say is this: There was music, there was drinking, there were women, there were men, there were flirts, there were snobs, there were airheads, there were soda thieves, there was a big-pecked J.W., there was his overweight bald crony, there was Pixies, there was bad B-52 sing-a-longs, there were quiet moments of reflection, there were insults, there was Becka, there was an explanation of reality by a drunk guy, there was underage drinking, there was Anne, there was barking, there were red lights, there were police, there were near-death experiences, and there were three misplaced Easter Matrixes looking for an answer to it all.

We were foolish, self-proclaimed bunny/bad-sci-fi conglomerates.  We tried to create an antagonist, initiate conflict all for the sake of the radio show.  Becka had suggested Firskie as the villain.  She was attractive, sweet, and everybody liked her.  Who would suspect?  But as we were greasing the gears in the villain-instilling machine, a much darker foe crept up unsuspecting.  We were taken by complete surprise when J.W. spoke those first insults.  I can remember it like it was this morning: “Keep trying and maybe you’ll get it someday!”  In that moment, J.W. in his big-breasted bravado, had opened the biggest can of springy, salty worms that Carbondale has ever seen.  What followed was scary.  I have it all on tape.

We have edited Doug’s party into sixty minutes of music, words and drunk ramblings.  I do believe it to be a sociological gem.  And yet, I feel that our conflict with J.W. to be somewhat unresolved.  Perhaps he will read this and hunt us down.  I hope so.  I hope so.  I’m willing to risk the bruises, the cuts, and the contact with squishy breast material to bring this matter to a head.  And, if it’s good, perhaps we’ll play it on the radio.

Tony Y. – April 1999

Jan 112010
 

Starring Charlie Rauh, Chris Rauh, John Bohannon, John Westberry, DaveX, and Tony Youngblood.

It’s Sunday, January 10th, 2010 and today’s episode is The Sound of Teeth.

We recorded this episode in my basement on August 22nd, 2009 live on a Tascam 80-8 ½” 8 track reel to reel.  It’s taken me this long to edit it.  The Sound of Teeth features Charlie Rauh on Guitar, Chris Rauh on Bass, John Bohannon on Accoustic Guitar and Effects, John Westberry on Drums, and myself on Jenn Analog Synth and Field Recordings.   Some of the field recordings were pulled from Freesound.org. (See below for Freesound contributors.)  DaveX contributed the show narrative.  I did the live mixing, the post-mixing, and the editing.

The Sound of Teeth was the second episode we recorded on the reel to reel and the first of which to premiere on this podcast.  The sound of the tape gives the episode a real organic, textural quality – further explored by the addition of various forms of hiss & pop, such as vinyl clicks, mosquitoes, frying oil, and dirt in the volume knob of an old electric organ.   All of the performers on this episode really shine, and it’s one of our best yet.  It was a hell of a job to edit.  Enjoy.

The following samples were used under a Creative Commons license from Freesound.org.  The usernames of the sound creators follow the number in the track titles.  Extra special thanks to Freesound and the contributors.
2257__Andrew_Duke__click1.wav
2258__Andrew_Duke__click2.wav
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11863__medialint__nord_analog_howling_wind_storm.wav
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48742__moca__37sec_phono_thru_gran_A
57027__NoiseCollector__deepwoods.wav
59985__gadzooks__stylus2.wav

Jan 032010
 

Snails and Whales, premiere episode of WRVU era, starring Cody Bottoms, Tony Youngblood, and Melody Holt.

I’ve been working feverishly on a new episode called The Sound of Teeth recorded a few months ago, but sadly, I wasn’t able to finish it in time for tonight’s podcast release.  Look for it to be episode 4, and prepare for a good one. On the plus side, in its place, you get the very first episode we did at WRVU — Snails and Whales, originally broadcast October 21st, 2007.

Snail Reproductive Ssystem by Johannes Meisenheimer

This episode features Cody Bottoms on Vocal FX Processor, Boss 202 Drum Machine, and Korg synth; and myself on . . . other stuff.  (Cody has a much better memory than I do.)  I think I was using my Kool Keys musical toy, circuit bent and redubbed The Pitch Fucker.  I also had recorded some field recordings of water and running a wet finger down a bathroom mirror.  Melody Holt was present in the studio assisting us.  The show was live-mixed and then later edited by me.  We named the show Snales and Whales because, well, that’s what it sounds like.

Life was rough and tumble back in the early days of ~ORE~ Theatre Intangible.  The first 20 minutes of the episode are lost to legend, because I forgot to hit record on the cd recorder.  We were still figuring out what the new version of ~ORE~ was even going to be.  I knew I wanted to shy away from spoken word records and tv clips that were so prominent in ~ORE~ Prefab Audio Extrapolations and focus instead on soundscapes and texture.  Cody ran the open mic at Café Coco where I used to play and was in an experimental rock band called A Parade.  We shared an interest in making weird noises, so I asked him to be a part of this premiere broadcast.  Cody went on to participate in several other episodes, probably more than any other participant.  You can hear him on the Theatre Intangible podcast episode 1, The Second Annual Halloween Extravaganza.

I don’t know if it was luck or skill, but Snails and Whales set the bar pretty high for future episodes, and helped define the show’s sound and mission.  It’s still one of my favorite episodes.  Enjoy.