Warning: Declaration of Suffusion_MM_Walker::start_el(&$output, $item, $depth, $args) should be compatible with Walker_Nav_Menu::start_el(&$output, $item, $depth = 0, $args = Array, $id = 0) in /home/theatr23/public_html/wp-content/themes/suffusion/library/suffusion-walkers.php on line 39
Jan 182012
 

Here’s podcast 78 The Ocean and the Sea starring BREY MCCOY and ANTHONY WILLIAM HERNDON from the Paducah, Kentucky experimental group METRONOME THEREMIN. We recorded this synth-filled noise-fest in August of last year.

This is the first podcast I mastered and edited in a program other than Soundtrack Pro. I finally put to rest my senile Mac G5 and replaced it with a Xubuntu Linux machine. I really wanted to use open source audio editing software.

Unfortunately, nothing in the open source world holds a candle to Soundtrack Pro (not even Ardour, at least for waveform editing). And Alsa was an absolute beast to configure properly. So after a month of pulling my hair out and putting off the next podcast release, I broke down and installed Windows 7 inside Virtualbox and purchased Adobe Audition. I feel dirty. Is it as good as my 5 year old copy of Soundtrack Pro? No. Will it work? That remains to be seen.

Ahem! And now without further tech talk, here’s “The Ocean and the Sea.”

 

Dec 202011
 

Elsewhere by Bob Bello

Here’s podcast 77, Elsewhere, recorded July 10th, 2011 and starring LET’S SAY BALTIMORE members ANDY ALEXANDER, AUSTIN ALEXANDER, DAVE DAWSON, and BRIAN SISKIND. This is the first time in five years that the four have recorded together.

A month after we recorded this, Brian Siskind performed a new electronic composition at the famed Rothko Chapel in Houston, Texas. Brian recorded his performance, and you can listen to it here: http://fognode.bandcamp.com/

In the podcast intro, I mistakenly called this podcast 76. (Whoops!) If you like the show, tell a friend or write us a review in iTunes. Enjoy.

Dec 102011
 

In June of this year, I took a trip to Chicago, Illinois to attend the 4th annual Experimental Garage Sale, a gathering of circuit-benders, instrument makers, and musical innovators. I recorded interviews with ROTH MOBOT, TIM KAISER, ALEX DEEBA, CMKT4, THEJUNKYARD CATALYST from THRIFTSORE BORATORIUM, LOW-GAIN, and a number of other makers. What follows is my correspondence from the field. Special thanks to the makers, the Experimental Sound Studio (who hosted), and Katherine Guza for taking the incredible pictures you see below.

If you are enticed by any of the inventions mentioned in the podcast, support the designers by buying from their sites below. Christmas is just around the corner, and nothing says love like a custom-made piece of musical goodness!

CMKT4
Cordinated
Cosmic Blooper
Creme Dementia
Delptronics (Mickey Delp)
GetLoFi (Alex Deeba)
Low-Gain Electronics (Logan Erickson)
Roth Mobot(Patrick McCarthy / Tommy Stephenson).
Steven Buck
Tim Kaiser
Thejunkyard Catalyst (Thriftsore Boratorium)
Unatronics
Welcome Tomerica


“Podcast available for download or streaming at http://www.theatreintangible.com/e076-experimental-garage-sale-2011-12-10/
Photographs by Katherine Guza. Experimental Sound Studio, Chicago, Illinois.”

From Experimental Garage Sale 2011-06-04, posted by Tony Youngblood on 12/10/2011 (27 items)

Generated by Facebook Photo Fetcher


Nov 262011
 

“The Conglomeration,” James Perrin, Exhibited at Gallery F, Scientists & Artists Picture the Intangible

 TWO podcasts in one weekend! Have I gone mad?!? Nope, just trying to catch up.

Here’s podcast 75: SANTA’S WORKSHOP Artist Showcase.

Jeremy Bennett and Grant Parker formed Santa’s Workshop in late 2010 on the campus of University of Tennessee Knoxville. The two friends decided to form a band in order to stretch beyond the creative boundaries of their very different musical backgrounds. Grant’s primary instrument is bass, and he studies jazz and classical performance at UT. Jeremy makes experimental electronic music and plays drums and piano. Their goal with Santa’s Workshop is to establish a cohesive musical dialogue between their two seemingly-unrelated disciplines.

For Santa’s Workshop, Grant performs on guitar and bass, culling feedback from his amplifier and an assortment of pedals and analog devices. Jeremy triggers and manipulates self-recorded audio samples using Ableton Live. Jeremy currently lives in Nashville. Grant lives in Knoxville, two hours away. They tell me the separation is in some ways useful as it keeps each focused on his respective path. Bridging those paths, after all, is what defines Santa’s Workshop.

The performance you’re about to hear was recorded at Gallery F on October 10th 2011 as part of the exhibition Scientists and Artists Picture the Intangible. TIM KAISER, JEREMY WALKER, and CENOBIUM also performed. You can download the Jeremy Walker performance here. Look for the Cenobium audio as an upcoming podcast.

If you like the show, tell a friend or leave us feedback on iTunes. Enjoy!