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Nov 082010
 
I, Phone, Theatre Intangible

From left: William Davis, pimpdaddysupreme, Ryan Adams, Tony Youngblood, Mara Bissell, and Brian Zimmerman

Maybe it’s because I cracked my iPhone screen today. Maybe it’s because of that viral video with the band Atomic Tom playing an all-iPhone song on a New York subway. Whatever the reason, tonight’s episode is podcast 40, “I, Phone,” an improv made entirely with iPhones, recorded live at the WRVU studios on April 26th, 2009. That’s right, folks. We did it a year and a half ago.

Suck it, Atomic Tom!

Our iPhone show features six performers playing apps such as Noise.io, RJDJ, Balls, The Zombietron, Bloom, the Thereminator, Mobile Synth, Remix DJ: Speak EZ, Ocarina, Bebot, voicemails, and more.  William Davis from Oh No It’s Howard, his friend Brian Zimmerman, Ryan Adams from Sunshine Brothers and Sisters, pimpdaddysupreme, Mara Bissell (DJ Irony on WRVU’s Nerd Pron and Pocket Ninjas), and myself make one hour of pure iPhone goodness. Check out the cool things the creator of Remix DJ: Speak EZ had to say about the show!

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Oct 312010
 
Chambers of Horror

Chambers of Horror Haunted House

As a fitting finale for Halloweird! October, we present the 3rd Annual Halloween Extravaganza, an exploration of the link between fear and arousal. Podcast 39 stars Mike Hiegemann on bass and Hammond organ, Austin Gaines on no-input mixer and various gadgets, Anderson Cook on guitar and synth, and JJ Jones on vocals and drums. I did the interviews, live mixing, clip playback/manipulation, and post production. We interview the creators of the adult-themed haunted houses Chambers of Horror and House of Horrors. Extra special thanks to Lucas Godfrey and Lindsay Starke of Chambers of Horror and Gork of House of Horrors. We also discuss Netherworld and Atlanta Zombie Apocalypse. All of these haunted houses are worth your while, each in its own way. They’re all open today, and all will be coming back next year. If you’re in Atlanta, by all means go to Chambers of Horror, one of the most innovative haunted houses I’ve ever seen. If you’re in Nashville, House of Horrors is an experience I promise you will never forget.

I was a little worried for this episode. We had to postpone it a few times, and today became the deadline. Most of the T.I. participants were busy with Halloween stuff, but Mike, Austin, Anderson, and JJ really came through with some haunting sounds. The improv serves the 1st and 2nd Halloween Extravaganzas proud!

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Oct 252010
 
Tim Kaiser at the Circuit Benders Ball

Tim Kaiser live at Circuit Benders’ Ball 2010. Photo by Stephen Zerne.

Yesterday’s Circuit Benders’ Ball at Open Lot was an enormous success. Both workshops were completely filled, and every performance was brilliant in its own unique way. Garbed in tribal space outfits, CMKT4 emerged out of a smoky sliding van door and proceeded to mesmerize the house. Thriftsore Boratorium brought the show out to the loading dock and handed everyone a transistor radio that broadcast the live feed. Tim Kaiser set up his gear on the floor for an intimate and breathtaking ambient performance. Robbie Hunsinger, Blight Side of Life, Ben Marcantell, DaveX, Jeremy Walker, and Freya West were all amazing, as were the many talented visual artists.

For tonight’s podcast, we give you the final performance of the night: Theatre Intangible Live with Tim Kaiser, 1/2 Mang (Thriftsore Boratorium), DaveX, Jeremy Walker, and Lola Wilson (A Parade). Most had never played together and were asked to very quickly pick a single instrument for the performance. The results are quite cohesive, surprising given the performers’ varied styles; unsurprising given their razor-sharp instincts.

I know I promised the Halloween Extravagana 3 this week. That will have to be bumped to next week. For now, enjoy this very fine live set from some of the best benders in the business.

Tim Kaiser — Tim Kaiser builds experimental musical instruments and creates atmospheric sonic landscapes. He has been featured in Make Magazine, Wired, the AP and New Art Examiner. His video, installation and performance art projects have been presented in Germany, Brazil, Sweden, Hong Kong, Cuba, Canada, Philladelphia, New York and Chicago. His instruments are sought after by artists around the world.

Thriftsore Boratorium — Out of Circuitastrophe Cincinnati 08, Karl the junkyardcatalyst and 1/2 Mang decided to start the Thriftsore Boratorium; a lab where people can come and experiment, work, troubleshoot, record, jam, circuit-bend, modify, design, make robots, etc. Thriftsore Boratorium puts their creations to task in their mind-bending live shows. They’re cooking up something special for the Circuit Benders Ball. Check out this great Robotic Barbie Sing-a-Long bend by Boratorium member 1/2 Mang.

Lola Wilson — Co-founder of the Captain Beefheart/Art Bears-inspired A Parade (with T.I. all-star Cody Bottoms) and the experimental solo project I Am Pazuzu, Lola is a singer and songwriter with individuality, depth, and great talent.

DaveX — a certified and licensed raconteur, DaveX is best-known as providing the real-life inspiration for Artax, the depressive horse featured briefly in the 1984 motion picture, “The Neverending Story.” Following his Emmy-nominated voice work on the animated spinoff series, “Artax’s Diner,” DaveX took full credit from his team at Bell Labs for the pioneering invention of various geometric forms. He is currently living off the royalities for the wildly successful “circle,” which he describes as “something like a curvy square.” Ordinary folks are encouraged to listen to a fifteen-minute looping audio biography of DaveX broadcast weekly at WDBX-FM and WSIU-FM on the programs It’s Too Damn Early and Sounds Like Radio. He also runs the experimental music blog Startling Moniker.

Jeremy Walker — His work focuses on reclaiming process, material, and content. Jeremy Walker creates unconventional instruments by altering found electrical circuits. By manipulating the intended function of the circuit, he’s able to emphasize its hidden, organic qualities. Each work is intended to conjure a certain child-like curiosity to investigate, to touch and to learn. By inviting direct interaction between the viewer and sound, Jeremy enables the participant to take the place of performer. Jeremy graduated from Watkins College of Art & Design and is currently enrolled at Middle Tennessee State University to pursue a BFA in Sculpture.

Oct 172010
 

In keeping with Halloweird! October, we bring you Frankenstein 1986, , a new synth-pop soundtrack to the 1931 horror classic Frankenstein, starring Ken Soper, Lawrence Crow, Tommy Stangroom, Cody Bottoms, and JJ Jones. There are some great moments, such as Cody’s electric guitar samples, Ken’s haunting Hammond organ lines, and Lawrence’s Casio SK1 leads; but listening back, I fear we may have been having a bit too much fun. I had the brilliant idea of incorporating a cheap toy drum machine that wears out its welcome . . . oh. . . after about 5 seconds. That’s not the fault of its wielder JJ Jones (who knocked it out of the park with his vocal work on the episode). I even played the drum machine somewhere in the middle of the show. The blame lies with the machine’s downright annoying timbres, which weren’t apparent to me until playback. Tommy Stangroom, who did various percussion and synth sounds, claims it was apparent to him from the beginning. He elected not to play the infernal drum toy.

There’s enough good material here for a decent 30 minute show. In it’s full hour + run time though, I recommend you only listen in sync with the film. Seeing the classic film with an 80’s synth pop soundtrack is a strange, comical, and not unpleasant experience.

What do you think? Does it stand up to the Dracula or Freaks soundtracks?

Stay tuned next week for the Third Annual Halloween Extravaganza, which will focus on the intersection between fear and arousal.

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