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tonyyoungblood

Aug 012012
 


This weekend is chock full of concert goodness, including a Saturday house party at Noa Noa featuring Memphis rock & rollers Big Waves of Pretty and new Denney & the Jets/Scala Brothers side project Promised Land. I don’t know about you, but I’m incredibly excited to see what the Scalas have up their sleeve.

Also performing are two T.I. participants, Stephen Molyneux and Samuel Steelman, both members of the Murfreesboro experimental improv collective Horsehair Everywhere. They’ll each be performing a solo set.

Stephen is co-founder of the tape label No Kings, and he’ll have plenty of No Kings tapes on hand for sale, including his new Belize field recording.

A little rock, a little experimental. Lots of fun. More info on the Facebook event page. Full disclosure: I helped organize this show.

Other great shows this weekend: Friday at Betty’s: Nudity, SAURuS, and Foster Dad. Sunday at Noa Noa: T.J. Borden, Ypsmael, Lawrence Crow, and Steven Dunning.

Big Waves of Pretty, Stephen Molyneux, Samuel Steelman, Promise Land
Saturday, August 4th, 2012
Doors at 8pm, music at 9 sharp, all ages, byob, $5 cover

Noa Noa (house)
620 Hamilton Avenue
Nashville, TN 37203
Aug 012012
 

Nudity

I’m glad to see great concerts still happening at Betty’s Bar & Grill. Case in point: the phenomenal electronic rock band Nudity, and T.I. participants SAURuS (Jeremy Bennett) and Foster Dad (Josh Gumiela) on Friday, August 3rd. These three electronic artists complement each other perfectly. Fun shall be had by all. Be there.

Here’s a T.I. improv featuring Jeremy Bennett. Here’s one featuring Josh Gumiela.

More details on the Facebook event page.

Other great shows this weekend: Saturday at Noa Noa: Big Waves of Pretty, Stephen Molyneux, Samuel Steelman, and Promised Land. Sunday at Noa Noa: T.J. Borden, Ypsmael, Lawrence Crow, and Steven Dunning.

Nudity, SAURuS, Foster Dad
Friday, August 3rd, 9pm
Betty’s Bar & Grill
407 49th Avenue North, Nashville, TN

Jul 232012
 


If you consider yourself a fan of noise music, you need to be at this show, featuring noise artists from Chicago, Baltimore, and Nashville. T.I. participant Anderson Cook (Pleasuredome, Hadals) tipped me off to this.

Machismo (Chicago)
Shattered Hymen (Chicago)
Reverse Baptism (Baltimore)
Moved Beyond Murder (Mike from Loss)
Pleasuredome (Anderson from Hadals)
HHL

Tuesday, July 24th, 2012, 9pm, $5
The Green Womb (house)
1030 40th Ave North
9PM

Maybe it’s my brain playing a game of confirmation bias, but it sometimes seems noise bands compete with death metal bands on which sub-genre has the most provocative band names. In any case, I experienced some internal dissonance when encountering the name Shattered Hymen — to the level where I delayed the publication of this blog post and wondered if I should even promote this event. It’s not that the name offended me. It’s that I want this blog and podcast to be an environment where all listeners of experimental music can feel comfortable. I’m perfectly fine with the music we promote being alienating. Some people just don’t know how to wrap their ears around music with no beat, perceivable structure, or melody. That’s fine. Buyer beware. But I don’t wish to alienate people based on their gender identity, sexual orientation, race, or nationality. If you feel that the environment of Theatre Intangible is not inclusive to you, please e-mail me at tony@theatreintangible.com, and I will make a sincere effort to remedy this.

But on the other hand, there was a strong chance I was completely out of my gourd on my visceral reaction to the name Shattered Hymen. So I asked the band’s lone member Vadim Sprikut about what he intends it to mean. In the end, I decided to go through with this blog post (as you can see) while including Vadim’s response. Read his comments below and decide for yourself.

You asked about the name. At this point, I can barely remember the original source that I borrowed it from. I have a vague recollection, odd as it may be, that it is from a Norse mythological reference (a joke to be specific). I suspect like some people that get into music, a name is chosen without much deliberation and just ends up sticking. Certainly I wanted something a bit provocative. In the noise scene, it hardly raises any eyebrows. I can see why it may give casual listeners pause though. However, I attach no content to the name, or the music. In fact I see noise as a vehicle to nullify narrative that more traditional music offers. I’m not interested in telling a “story.” I think you’ve seen my quote somewhere: investigating altered states of consciousness through harsh noise. That is still my focus. Texture, dynamics and sheer volume are paramount in my experiments. Lately, I’ve added a more significant element of physical performance to my shows, often incorporating a variety of materials that I can manipulate with my hands. But generally the shows can be quite varied, depending on the space and materials at hand. It’s all improvised so it could be sheet metal on day or several synths and pedals another day. In the end, it’s still harsh noise though

Jul 122012
 


It’s the fifth and final day of the Great Podcast Releasathon 2012!(tm). (“But Tony, you said it was going to last a week!” — I meant a work week, sue me!) Here’s episode 89, Heavenly Noise, starring DaveX, Tony Youngblood, Tom Denney, Kevin Vogel, and Matt Giant. We recorded Heavenly Noise way back in 1999 at my college radio station WIDB on the campus of Southern Illinois University. It was the ninth episode of the original incarnation of Theatre Intangible, ~Ore~ Prefab Audio Extrapolations. We were trying to spoof a Christian call-in show, actually trying to get real people to call in and contribute money to our “interfaith” cause. I vaguely remember DaveX and myself flyering the buildings at SIU with a faux Christian student group flyer that must have been pretty blasphemous; they were taken down by some unknown force by the next day.

Apologies to listeners who are religious or who have, you know, taste.

Update: Dave adds his thoughts:

“I don’t think that’s the Lord anymore.” Pretty much sums up this rather silly outing for ~Ore~. I detect some of my Tom Jones record in there, and that weird sequencing freeware we kept using. And a healthy dose of random preaching records. As I recall, I was always very much on-edge during these shows. Live experimental improv is always going to be tough, but making ~Ore~ was rather like jumping in the deep end head first. I don’t have Tony’s natural ability with instruments, so I probably had to work three times as hard just to keep up. On an episode like “Heavenly Noise,” pretty much everything I did was a sort of point blank improvisation, literally learning my “instrument” (devices, the studio, actual instruments, etc) as I went along. Absolutely flying blind, but listening and learning along the way. It took a long time before I trusted myself enough to just work a single idea– I distinctly remember scoffing (mentally) at the guest who brought in a singing drum and just played it for an hour (on another episode) and though I still don’t think he was really participating with all of us very well, I’ll admit that focusing on process or developing a simple idea ended up being something I really appreciate now. Like I said, there was (and still is) a lot to learn! “This makes me ill. This sickening blasphemy. It makes me churn!” A hilarious addition from Tony’s brother there, who sat in (or called in, as he did here) during numerous episodes. (Tony’s note: I think that might have been Matt Giant.) Tom Denney also makes some great contributions here– I love the bit about being made to dress up in women’s clothes, classic. I hear some “he was doing it, but he wasn’t really doing it”, which I’m pretty sure came from an interview with one of Jimi Hendrix’s girlfriends, from the Rainbow Bridge film, sounds like a little microcassette work, but perhaps pre-recorded for this episode. Yeah, definitely that album– I still quote the bit at the end every now and then, “I’ll always touch you.” Funny how certain things stick with you.

And oh yeah, here’s a flyer to dig on. It’s not specific to this show– we didn’t always make one with the theme represented, because we didn’t always know very far in advance what we were doing. This was from right around that time, though. I ended up recycling these images many times in various flyers, but always worked my way back to the “old lady” gag, because I think it’s hilarious.

–DaveX