Warning: Declaration of Suffusion_MM_Walker::start_el(&$output, $item, $depth, $args) should be compatible with Walker_Nav_Menu::start_el(&$output, $item, $depth = 0, $args = Array, $id = 0) in /home/theatr23/public_html/wp-content/themes/suffusion/library/suffusion-walkers.php on line 39
Feb 232010
 

Lest you think it’s all trophies and roses here at Theatre Intangible, we bring you an episode from our original incarnation, ~ORE~ Prefab Audio Extrapolations.  Tonight’s episode is called Menial.  Our idea was to interview various workers and pontificate about what it means to work menial jobs.  Somehow, the point got muddled by “investigative” journalism on how my roommate Jason and I were gay.

I know.

We recorded this episode way back in 1999 on the campus of Southern Illinois University at the student station WIDB.  It is not one of ~ORE~’s proudest moments.  But what can I say?  I’m a masochist.  And a sadist.  Which is why I’m offering it up for you fine people.

Enjoy.

Jan 172010
 

From ~ORE~ Prefab Audio Extrapolations, originally broadcast 04/15/99.  Starring Dave Armstrong, Tony Youngblood, and a cast of dozens.

It’s Sunday, January 17th, 2010 and today’s podcast is a blast from the past — Doug’s Party, a show from  ~ORE~ Prefab Audio Extrapolations.

~ORE~ Prefab Audio Extrapolations was the predecessor to ~ORE~ Theatre Intangible, broadcast from 1998 to 2000 on the student run radio station WIDB on the campus of Southern Illinois Universty in Carbondale, Illinois.  The show was hosted by myself and Dave Armstrong, now the blogger DaveX on the popular experimental music blog Startling Moniker.  Doug’s Party was the 13th episode of that show and the first Prefab Audio Extrapolation-era show of this podcast.  We hope to bring you more of the old shows in the coming months.

Doug’s Party was based on recordings we made during a college party thrown by our friend Doug Bigham.  It’s a time capsule of 1999.  Clinton was president.  The Matrix had just been released. Listening to this show 10 years later brings back a lot of fond memories, some cringes, and some surprises.  The soundtrack is filled with instrumental versions of songs I was writing at the time – many of which I’d forgotten about.

Despite everything, Doug’s Party holds up pretty well.  It’s a bit juvenile, and a bit too beat-driven (although I think that was part of the joke), but it really does capture a time in my life, all my awkwardness, and all my hang-ups.  Perhaps it will do the same for you.  I’ll end this intro with the text from a flyer I wrote in April of 1999, promoting the premiere broadcast of the episode.  Enjoy.  – Tony Y.  January 2010

P.S.  Almost forgot to mention — the intro music was pulled from a WRVU-era Theatre Intangible episode called Jazz Moped.  It gives the intro a film noir feel.  Look for the whole episode as a podcast soon.

Dougs Party Flyer

This was an original flyer we made for the episode Dougs Party

It was Thursday night April 1st, 1999.  We had just finished ~ORE~ episode 12.  I was feeling a bit depressed.  The person we had assigned to the guitar only played bad covers of Bush songs.  When I asked him to make something up, he said, “That’s all I know.”  He was right.  Moving his fingers to unfamiliar territory and taking a chance in the unknown would have killed him on the spot.  Se we made do.

After the show, Dave, Metty, Kate, and myself decided to go see The Matrix.  It merely depressed me more.  A normal little abnormal movie.  When we left the theatre, we were greeted by our good friend Doug.  If you don’t know Doug, then you don’t know Carbondale nightlife.  Doug is famous for throwing earth-shattering, law-breaking, stress-busting parties.  He had asked me to attend on many an occasion.  I have never attended.

But on this night, I felt different.  It was something in his tone when he explained his “post-April fools extravaganza.”  It had a lot to do with his grim look of doubt when he said, “I might as well not even ask you, Tony.  You won’t come.”

Now I had to come.  I had to re-instill the power of hope into Doug’s heart.  Dave and Metty agreed to attend.  It was to be.

Friday came.  Metty had devised a group look.  We were all to wear complete black.  She bought three pairs of shiny glasses and three pairs of Easter ears.  After wrapping the ears in tinfoil and donning them, we became, “The Easter Matrix.”  Jen G. decided to come along for the ride.  Sensing drama, I brought my tape recorder.

I can’t explain the events that happened that night.  It was a moment in time, encapsulated in a Memorex mini-tape recorder.  All I will say is this: There was music, there was drinking, there were women, there were men, there were flirts, there were snobs, there were airheads, there were soda thieves, there was a big-pecked J.W., there was his overweight bald crony, there was Pixies, there was bad B-52 sing-a-longs, there were quiet moments of reflection, there were insults, there was Becka, there was an explanation of reality by a drunk guy, there was underage drinking, there was Anne, there was barking, there were red lights, there were police, there were near-death experiences, and there were three misplaced Easter Matrixes looking for an answer to it all.

We were foolish, self-proclaimed bunny/bad-sci-fi conglomerates.  We tried to create an antagonist, initiate conflict all for the sake of the radio show.  Becka had suggested Firskie as the villain.  She was attractive, sweet, and everybody liked her.  Who would suspect?  But as we were greasing the gears in the villain-instilling machine, a much darker foe crept up unsuspecting.  We were taken by complete surprise when J.W. spoke those first insults.  I can remember it like it was this morning: “Keep trying and maybe you’ll get it someday!”  In that moment, J.W. in his big-breasted bravado, had opened the biggest can of springy, salty worms that Carbondale has ever seen.  What followed was scary.  I have it all on tape.

We have edited Doug’s party into sixty minutes of music, words and drunk ramblings.  I do believe it to be a sociological gem.  And yet, I feel that our conflict with J.W. to be somewhat unresolved.  Perhaps he will read this and hunt us down.  I hope so.  I hope so.  I’m willing to risk the bruises, the cuts, and the contact with squishy breast material to bring this matter to a head.  And, if it’s good, perhaps we’ll play it on the radio.

Tony Y. – April 1999

Jan 112010
 

Starring Charlie Rauh, Chris Rauh, John Bohannon, John Westberry, DaveX, and Tony Youngblood.

It’s Sunday, January 10th, 2010 and today’s episode is The Sound of Teeth.

We recorded this episode in my basement on August 22nd, 2009 live on a Tascam 80-8 ½” 8 track reel to reel.  It’s taken me this long to edit it.  The Sound of Teeth features Charlie Rauh on Guitar, Chris Rauh on Bass, John Bohannon on Accoustic Guitar and Effects, John Westberry on Drums, and myself on Jenn Analog Synth and Field Recordings.   Some of the field recordings were pulled from Freesound.org. (See below for Freesound contributors.)  DaveX contributed the show narrative.  I did the live mixing, the post-mixing, and the editing.

The Sound of Teeth was the second episode we recorded on the reel to reel and the first of which to premiere on this podcast.  The sound of the tape gives the episode a real organic, textural quality – further explored by the addition of various forms of hiss & pop, such as vinyl clicks, mosquitoes, frying oil, and dirt in the volume knob of an old electric organ.   All of the performers on this episode really shine, and it’s one of our best yet.  It was a hell of a job to edit.  Enjoy.

The following samples were used under a Creative Commons license from Freesound.org.  The usernames of the sound creators follow the number in the track titles.  Extra special thanks to Freesound and the contributors.
2257__Andrew_Duke__click1.wav
2258__Andrew_Duke__click2.wav
2262__Andrew_Duke__hiss2.wav
11863__medialint__nord_analog_howling_wind_storm.wav
42656__zwang__record029.aif
48742__moca__37sec_phono_thru_gran_A
57027__NoiseCollector__deepwoods.wav
59985__gadzooks__stylus2.wav

Dec 212009
 

~ORE~ Prefab Audio Extrapolations – The Seeds of Theatre Intangible

DaveX over at Startling Moniker and I have been a little wistful lately about our old radio show  ~ORE~ Prefab Audio Extrapolations, broadcast at WIDB from 1998 to 2000.  I wrote this post about Dave’s experimental music blog and wound up reminiscing about the show we created together.  Dave fired back with a most excellent history of ~ORE here. Follow that link now and then come back.  It’s really an amazing read.  Here’s a particularly vivid excerpt.  The notes in underline are mine.

SocialistOreTony and I had apparently soaked up Wu-Tang Clan’s greatest lesson, too– make it a franchise. Thus, the original ~ORE~ was endowed with “Prefab Audio Extrapolations” as a tagline. Even while fighting to keep up with a one-hour weekly broadcast, we were thinking of the future! (Now accepting franchise applications.  Who wants “~ORE~ Miami”?) At times, it seemed like anyone who was listening was actually AT the broadcasts, or helping make them. (Some things never change) Although we were doing something amazingly different on the SIU campus, we didn’t exist in a bubble.  Flyers and chalk were our outreach. Wednesday nights, we’d gather under the dim yellow lights of Faner Hall, and begin our amazingly huge chalk runs. We got our friends and family into it with us, making teams to cover as much of the 900-foot length of the breezeway as possible before the chalk bucket ran out. By morning, Faner was a pastel mess of dogs and cows spouting absurdist essays extolling the virtues of experimental radio, mixed with the inevitable Xeroxed flyers cooked up special for the occasion. Although the flyers rarely made much sense, we knew that they would reach others like us– weirdos, makers, noise-enthusiasts, record collector scum, freaks… our people.

Takes me back!  More photos and stories from the old ~ORE~ coming soon.  Stay tuned for one of the Prefab Audio extrapolation episodes to come out as a Podcast in the next few weeks.