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Dec 032013
 

40AU_Token_promo_web_sm

 

This Saturday’s two Nashville art crawls are packed with so many good things. First Saturday Art Crawl at the Arcade features T.I. participant Stephen Molyneux at the Space Gallery premiering his “Cambodian Field Recordings” photography exhibit/sound installation. The Facebook event page says, “The images and sounds were captured on 35mm film and 1/4 inch tape in 2010 while Molyneux was living in Southeast Asia. Expect distant ancient rites of dawn, village sounds recorded from bicycle baskets, ensemble street performances, and wedding party music echoing through the ballroom of an abandoned mansion.”

At 40AU in the Arcade is Token: A Solo Exhibition by Emily Sue Laird. The Facebook event page says, “Balancing human-made materials – such as lace, felt, cotton, canvas, and velvet – with the fragile, transitory organic matter of mushrooms, paper, ink, wood, and moss, Emily invites participants to explore domestic elements through play and discovery. Felt leaves become placemats; mushrooms become shelves; fabric becomes forest; home becomes adventure.” The exhibition comments on art as a commodity, but I won’t spoil the fun with any further details. Just go see it, and you’ll soon understand.

Over at Arts & Music @ Wedgewood/Houston‘s Ground Floor gallery, Erica Ciccarone and I are exhibiting a new installation called #openaccess. (Facebook event page here.) We’re constructing a 6 1/2 foot cube covered in white material. Inside the cube (but hidden to the audience) is Erica. She poses in front of a green screen in various costumes and scenarios, yet the audience never sees this. The sides of the cube merely reveal shadowy clues of what’s happening inside. What you DO see is projected on the front of the cube … pictures taken inside the cube minutes before … embedded inside social media posts. So the audience never sees what is happening live; they merely see the after effects on a time delay. The projected image shows a desktop full of web browser windows. Facebook, Twitter, Google +, etc. The pages constantly update as the new images come through. While the work will be up all month, the live portion with Erica in the cube only happens Saturday night from 5 to 8 p.m. #openaccess will also features new works from Mandy Brown, Heidi Martin Kuster and Janet Decker Yanez.

There will also be shows at Zeitgeist Gallery, Fort Houston and other Wedgewood/Houston spots. The wonderful art-heavy Porter Flea Market is concurrent at Track 1 just across the train tracks from Chestnut Square. (Details here.)

While not part of the two art crawls proper, but definitely in the spirit of the evening, East Studio on Gallatin Rd is exhibiting “Six Potters and a Painter.” The Facebook event page says, “East Nashville’s hidden gems – side-by-side clay workshops East Studio and Timothy Weber Pottery – open their doors to the public once a year for this holiday market. Featuring painting and pottery demonstrations and free Penny Drive penny pots to raise money for Second Harvest. Plus fine handmade pots and paintings by Russell Harris, Helen Hooper-Hirst, Kelly Kessler, Diana Naisby, Thurman Rivers, Donna Rizzo and Timothy Weber.”

Finish off the night by supporting a good cause and enjoying various interpretations of Tom Waits songs at the Five Spot. It’s the 8th Annual Tom Waits Tribute & Benefit for Second Harvest Food Bank.

Click the links for the various addresses and show times.

Nov 262013
 

My 13 week work project ended five weeks early, which means I finally had time to finish editing the Bring Your Own Beamer Nashville highlight video, posted below. I’m also including pictures from the show and links to some of the short films screened. If you’re one of the artists and your video is online, send me the link and I’ll post it.

 

Bring Your Own Beamer Nashville #2
September 7th, 2013 at Track One
Part of Arts & Music @ Wedgewood/Houston

Organized by Tony Youngblood

Artists:
Mika Agari
Tim Carey
Liz Clayton Scofield
Dylan Ethier
Rhendi Greenwell
Josh Gumiela
Michael Hampton
Morgan Higby-Flowers
Megan Kelley & Stephen Zerne
Devin Lamp
Sarah McDonald
Brian Miles, Scott Sanders & Dave Shambam (Dig Deep Light Show)
Chris Murray
Antonia Oakes
Bill Vincent
Tony Youngblood

Works from the show:
Liz Clayton-Scofield It’s Not Terrible But I Don’t Like It
Josh Gumiela Untitled (Work in Progress)
Michael Hampton That’s All Folks

Footage of the show:
Devin Lamp
Tyler Blankenship
Skipp Frazier

The original Bring Your Own Beamer Nashville was organized by Adan De La Garza. It took place on April 27th, 2013 at Chestnut Square.

BYOB is an idea by Rafaël Rozendaal. The first edition of BYOB was initiated by Anne de Vries & Rafael Rozendaal in Berlin.

 

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Nov 202013
 

seventeen

Third Man Records and the Belcourt Theatre bring you the next installment of the underground film series Light and Sound Machine. Thursday’s film is the 1983 documentary Seventeen. See. This. Film!

Here’s what Third Man had to say about it on their YouTube account, accompanying a wonderful new trailer cut by the Belcourt’s Zack Hall and Light and Sound Machine curator James Cathcart:

A character-focused, emotionally driven counterpart to the institutionalism of Fredrick Wiseman’s HIGH SCHOOL, DeMott & Kreines’ SEVENTEEN soars far beyond its initial framing of middle-American slice-of-life filmmaking, offering perhaps the most unflinching and honest examination of the American teenager ever committed to celluloid. Embedded as intimately with its subjects as imaginable, SEVENTEEN gives it’s viewer a teen’s-eye view of the complexities and contradictions of youth, juxtaposing the pot-hazed revelry of underage keggers and sexual discovery with the visceral horrors of small-town racism, the chaos of public education, and that jarring moment when a young person discovers that poor decisions can lead to dire consequences – the cruel demystification of adulthood.

Produced in 1982 for the six-part PBS series MIDDLETOWN, DeMott & Kreines’ accomplished segment would never air – when the series’ corporate sponsor, Xerox, caught wind of the film’s undisparaging depiction of interracial dating, foul language, and substance abuse, pressure was exerted to pull the segment entirely, to which PBS obliged in one of the most disheartening examples of censorship in public television. The effect was only to bolster SEVENTEEN’s reputation as one of the most highly praised, though rarely seen, documentary films ever produced.

Jim Ridley wrote up a great preview over at the Nashville Scene blog Country Life. I’m more excited about this screening than any Light and Sound Machine thus far!

Tickets are $10 at the door or $8 in advance for Belcourt members.

As always, thanks to Ben Swank and James Cathcart for putting this on!

The Light And Sound Machine
Co-presented by Third Man Records and the Belcourt Theatre
Seventeen
November 21st, 2013, 7pm, $10 ($8 Belcourt members)

@ Third Man Records
623 7th Ave S – Nashville, TN 37203

Nov 132013
 
Brian Siskind inside "Airshaft (to Piranesi)"

Brian Siskind inside “Airshaft (to Piranesi)”

 

Musician, composer, producer and Theatre Intangible participant Brian Siskind collaborated with renowned multimedia artist Ana Maria Tavares in a new installation at the Frist Center for the Visual Arts. The four-sided immersive video Airshaft (to Piranesi) is the centerpiece to Tavares’ exhibition Deviating Utopias. This is a HUGE deal, and if you consider yourself a supporter of Nashville experimental and electronic artists, you need to experience this collaboration.

The Frist page has the details:

The centerpiece of this exhibition is [Tavares’] four-sided immersive video, Airshaft (to Piranesi), 2008, comprising sequences of elaborate interiors as seen from multiple perspectives in constant motion.

Tavares’s immersive video is accompanied by Nashville composer Brian Siskind’s Niterói, water that hides. This sonic collage brings together mid-century/post-war orchestral vinyl, recontextualized into a dark, deep, and teeming sound environment.

Ana Maria Tavares: Deviating Utopias closes January 12th, 2014.

Stream Brian’s Niterói, water that hides below and purchase a limited edition cd at Brian’s Bandcamp.

Brian performed on Theatre Intangible episode 77, Elsewhere. Download or stream it here.