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Jan 112010
 

Starring Charlie Rauh, Chris Rauh, John Bohannon, John Westberry, DaveX, and Tony Youngblood.

It’s Sunday, January 10th, 2010 and today’s episode is The Sound of Teeth.

We recorded this episode in my basement on August 22nd, 2009 live on a Tascam 80-8 ½” 8 track reel to reel.  It’s taken me this long to edit it.  The Sound of Teeth features Charlie Rauh on Guitar, Chris Rauh on Bass, John Bohannon on Accoustic Guitar and Effects, John Westberry on Drums, and myself on Jenn Analog Synth and Field Recordings.   Some of the field recordings were pulled from Freesound.org. (See below for Freesound contributors.)  DaveX contributed the show narrative.  I did the live mixing, the post-mixing, and the editing.

The Sound of Teeth was the second episode we recorded on the reel to reel and the first of which to premiere on this podcast.  The sound of the tape gives the episode a real organic, textural quality – further explored by the addition of various forms of hiss & pop, such as vinyl clicks, mosquitoes, frying oil, and dirt in the volume knob of an old electric organ.   All of the performers on this episode really shine, and it’s one of our best yet.  It was a hell of a job to edit.  Enjoy.

The following samples were used under a Creative Commons license from Freesound.org.  The usernames of the sound creators follow the number in the track titles.  Extra special thanks to Freesound and the contributors.
2257__Andrew_Duke__click1.wav
2258__Andrew_Duke__click2.wav
2262__Andrew_Duke__hiss2.wav
11863__medialint__nord_analog_howling_wind_storm.wav
42656__zwang__record029.aif
48742__moca__37sec_phono_thru_gran_A
57027__NoiseCollector__deepwoods.wav
59985__gadzooks__stylus2.wav

Jan 032010
 

Snails and Whales, premiere episode of WRVU era, starring Cody Bottoms, Tony Youngblood, and Melody Holt.

I’ve been working feverishly on a new episode called The Sound of Teeth recorded a few months ago, but sadly, I wasn’t able to finish it in time for tonight’s podcast release.  Look for it to be episode 4, and prepare for a good one. On the plus side, in its place, you get the very first episode we did at WRVU — Snails and Whales, originally broadcast October 21st, 2007.

Snail Reproductive Ssystem by Johannes Meisenheimer

This episode features Cody Bottoms on Vocal FX Processor, Boss 202 Drum Machine, and Korg synth; and myself on . . . other stuff.  (Cody has a much better memory than I do.)  I think I was using my Kool Keys musical toy, circuit bent and redubbed The Pitch Fucker.  I also had recorded some field recordings of water and running a wet finger down a bathroom mirror.  Melody Holt was present in the studio assisting us.  The show was live-mixed and then later edited by me.  We named the show Snales and Whales because, well, that’s what it sounds like.

Life was rough and tumble back in the early days of ~ORE~ Theatre Intangible.  The first 20 minutes of the episode are lost to legend, because I forgot to hit record on the cd recorder.  We were still figuring out what the new version of ~ORE~ was even going to be.  I knew I wanted to shy away from spoken word records and tv clips that were so prominent in ~ORE~ Prefab Audio Extrapolations and focus instead on soundscapes and texture.  Cody ran the open mic at Café Coco where I used to play and was in an experimental rock band called A Parade.  We shared an interest in making weird noises, so I asked him to be a part of this premiere broadcast.  Cody went on to participate in several other episodes, probably more than any other participant.  You can hear him on the Theatre Intangible podcast episode 1, The Second Annual Halloween Extravaganza.

I don’t know if it was luck or skill, but Snails and Whales set the bar pretty high for future episodes, and helped define the show’s sound and mission.  It’s still one of my favorite episodes.  Enjoy.

Dec 212009
 

“Watch me as I pinch myself being bitten by invisible bugs of eroticism” — Dave Cloud — Get It On With Dave Cloud

Given the recent press we received from Nashville Cream about the show that got us kicked off WRVU — Get It On With Dave Cloud, I thought it timely to release it as a podcast.  You can find out more about the controversy at this previous post.

Featuring a band comprised of some of Nashville’s most talented players, Get It On With Dave Cloud sounds lush and bristles with detail.  Dispensing with our usual arhythmic soup, the idea here was to create jilted lounge music that conversed with Dave’s dialogue.  The band provided that, and in spades.  I only wish we picked a different mic for Dave to speak into.  WRVU Studio Mic 4 has a tendency to distort and Dave Cloud has a tendency to talk loud.  (I warned Jim Hayes about that mic before.  Am I the only dj that notices these kinds of things?)  Still, the slight distortion in Dave’s voice kind of works in a strange way.

For an hour and eight minutes (I just couldn’t whittle it down to one hour), Dave Cloud flirts with callers, reads from dirty magazines, takes long smoke breaks, and espouses his wisdom.  I’m quite proud of this episode, and it makes a fine sendoff to WRVU.  In a weird way, this episode is responsible for this blog and podcast.  If we hadn’t made Get It On, we still might be on WRVU.  If we were still on WRVU, I probably wouldn’t have invested the time in learning how to podcast.

This episode was an absolute blast to create (although lugging Joe Hudson’s Fender Rhodes into the studio was no easy feat!)  Participants include Charlie Rauh on guitar, Craig Schenker on saxophone, Joe Hudson on Fender Rhodes, Robert Carter aka Bobobobobob on analog synthesizer, Randy Hunt on stand-up bass, Melody Holt on various sounds (plus she’s one of the callers), and the legendary Dave Cloud on voice.  I engineered and did the live mixing.  Dave received calls from show regular pimpdaddysupreme and swarms of naked, nubile women.  Enjoy.

Excerpts from Dave Cloud’s bio: “By day a volunteer book reader for the blind, Cloud undergoes a transformation at night, and for over three decades has entertained patrons of local dive bar Springwater, often with his band The Gospel of Power. (Tony’s note: And also his band Cavalcade of Shit, featuring ~Ore~ players Joe Hudson and Charlie Rauh) Cloud’s unpredictable performances can be uproarious, jaw-droppingly bizarre events, delighting some while frightening others. His music—an amalgam of experimental garage rock and lounge crooning—defies easy categorization, but his delivery makes the experience hard to forget.Cloud has appeared in several films, videos, and television programs, including Harmony Korine’s films Gummo and Trash Humpers.”

Dec 132009
 

Chaos surrounded me. On November 8th, I stood in my basement, surveying the visual cacophony of cables, music gear, and impatient faces staring at me to get my shit together. We were all set to record the first podcast of the new version of ~ORE~, and we were already one hour behind schedule. We couldn’t find enough headphone adapters, and I didn’t have enough outputs on my headphone amplifiers to send everybody the live feed. On top of that, a near-record of 10 musicians answered the call to be on this show, and I wasn’t prepared for so many.

Luckily, we worked it all out. We divided the episode into segments and let a smaller group perform on each segment. This approach ended up working out splendidly as it let things breath and brought new timbres throughout the show. There’s more variety here than any show we’ve ever done. It also serves as a perfect introduction to what we do here on Theatre Intangible as so many of the players are series regulars.  You might call this an all-star episode.

The 2nd Annual Halloween Extravaganza explores the topic of haunted houses. In preparation we recorded hours of interviews with haunted house creators, attendees, and even live 3d binaural walkthroughs of the haunted houses. (The setup was two SM58 microphones embedded in the head of a Styrofoam skull, appropriately enough.) While using a Porta-Potty outside one of the haunted houses, Cody Bottoms got splattered with sewage when a kid in a clown costume took a running splat into the side of the Porta-Potty.  These are the slings and arrows we must suffer when creating ART!

After assembling the field recordings and interviews, we put out a call for musical participants; and on November 8th, we assembled in my basement to record the show. I instructed the performers to create improvisational, textural sounds inspired by the recordings they were hearing in their headphones (which I live-mixed into the feed alongside the music.) The running-time went over 90 minutes. I have edited and reorganized the recording into a well-paced 60 minutes. What results is one of the most entertaining episodes we’ve ever put out. You’ll learn about the secrets of haunted house management, the psychology of clown-fear, a live psychic reading, and Cody’s fascination with funeral homes. This was the most difficult and time-consuming episode I have ever produced.

This episode features Jamison Sevitts on Rhodes Keyboard and trumpet, Charlie Rauh on acoustic guitar, JP Patterson on keyboard, Anderson Cook on modified electric guitar and percussion, Cody Bottoms on percussion, pimpdaddysupreme on records and vocal intro, Brey McCoy on Ableton Live sounds and wind instruments, Craig Schenker on saxophone, Lauren Estes on percussion, and Anthony William Herndon on theremin and synthesizer.

The episode features a variety of interviews, most notably Nathan Hamilton, founder of Haunted Nashville (comprised of the haunted houses House of Distortion, Turbidite Manor, and Riddles of Horror) . His dialogue became the backbone of the episode, and the show wouldn’t be the same without him. Special thanks to Nathan, to all the interviewees, the musicians, and also to Landon Lee, owner of Death Row Haunted Prison. Both of these haunted houses are extremely entertaining (and scary!), and I most-emphatically recommend you attend them next Halloween. All interviews used by permission.

As with all our shows, this episode is licensed under Creative Commons. You may sample it, slice it, dice it, and appropriate it in your own non-profit work. We just ask that you give us credit and let us know.

Enjoy!

Where’s the 1st Annual Halloween Extravaganza you ask? We recorded it on Halloween 2008 on our since-cancelled WRVU show ~ORE~ Theatre Intangible. We will premiere the podcast version of that episode (and many other WRVU-era episodes) later in the season.

 Posted by at 11:35 pm