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Mar 022010
 

From left: Wess, pds, Paul, Jimmy, Charlie, & Tim. Taken by Paul.

Here’s an episode that almost never happened.  It was designed as a simple photo-op for an article The Tennessean is writing wrote about local podcasts.  In order to make the deadline, they had to shoot a photograph for the story by the end of the weekend.  The writer Dave Paulson thought our show would make for an engaging picture.  I quickly called in the troops; and we assembled last Saturday in my basement, squeezed tightly together to make for a nice picture and blindfolded because it looked cool and because . . . well . . . we’ve never done that theme before.

I’ve been working on a computer program that reads Twitter messages aurally via an open-source speech synthesizer called Festival.  I’m preparing that program for next Saturday’s Podcamp Nashville.  We’re doing a live improv for the conference where audience members can tweet to the hashtag #pcn10ore and hear those tweets in the mix.  This little last-minute improv was a perfect vehicle to test that program.

It was a complete coincidence that last Saturday happened to be the day when all hell broke loose.  Saturday was the day after the Chilean earthquake; the day of the tsunamis; and, if you searched for the keywords earthquake and tsunami in Twitter like I did, the end of the world as we knew it.  I fed those two keywords into my tweet synthesizing program, and the resulting narration became the backbone of the show.  Some of the tweeters posted on-the-scene updates, while others joked about the impending disasters, and others prayed for the areas affected and called out to loved ones.

The theme was being helpless in the face of tragedy.  The blindfolds seemed fitting, though, I admit, they weren’t practical.  Most of the performers had them off within 10 minutes (exception being Charlie Rauh whom Jimmy had to poke to make him aware the rest of us had already de-blinded).

I’m quite fond of this show.  We were in the right time, the right place, with the right performers and the right technology.  Helpless features John Westberry on drums; pimpdaddysupreme on records, vocals, and effects, Paul Cain on accordian, saw, and water bottle; Charlie Rauh on guitar; Jimmy  Thorn on keyboard and chaos pad; Tim Carey on keyboard and mandolin; and Wess Youngblood on guitar and delay pedal.  I pressed the buttons on the laptop feeding the tweets and did the live mixing.  Portions of the show were edited for pacing.  The show ended before the tsunami reached Hawaii, so I continued recording the tweets for about 20 minutes after the show was over and inserted the most fitting ones into the show.

Special thanks to Jayesh Salvi for writing the initial Python program Talking Twitter Client and to Bryan Kemp for helping me modify it to suit my purposes.  Thanks also to the developers of Festival, to Tennessean writer Dave Paulson and to photographer Jeanne Reasonover.  Thanks to Paul Cain for taking the above-photograph.  A big thank you to all the performers!

Jan 252010
 

Square People Artist Showcase with live songs from Chris Murray and Matt Jernigan.

“Square People” by Mikhail Pigichka

Theatre Intangible would like to unveil our artist showcase series with a great interview and live performance from Nashville’s own Square People.   Square People is a one (occasionally two or three) man army, busting up your speakers with ribald beats and surrealist poetry, diced up and run through various forms of tape and squash-bit manipulation.   I sat down with Chris Murray at JJ’s Market to discuss fair use, sonic texturism, Kate Bush, and more.  The crowd met our unannounced live performance with a mixture of indifference, outrage, and sub-mild curiosity.  For one lucky lady, the show continued on into the night . . .  in the women’s bathroom at JJ’s Market and later at the Square People mansion.  When you hear this episode, you’ll wish you were her.

We recorded the four live tracks on my Tascam 80-8 tape recorder.  The results — having been put through the ringer of digital to tape to digital to tape ad infinitum — are about as low-fi as it gets.  And that’s not necessarily a bad thing.  The show’s highlight for me is Square People’s rendition of Mario & Gucci Mane’s Break Up.  Follow that link to hear the original, then listen to the version herein; and you’ll start to understand the particular fucked-up genius that is Square People.

Chris Murray on 4 track and vocals.  Matt Jernigan on Chaos Pad and vocals.

Like what you hear?  See Square People live!  They’re playing March 13/14 at Little Hamilton for benefit for a new P.A.  They’re also playing March 27 at the  Fashion>Fascism show at the Open Lot.  Hope to see you at one of the shows!

Jan 112010
 

Starring Charlie Rauh, Chris Rauh, John Bohannon, John Westberry, DaveX, and Tony Youngblood.

It’s Sunday, January 10th, 2010 and today’s episode is The Sound of Teeth.

We recorded this episode in my basement on August 22nd, 2009 live on a Tascam 80-8 ½” 8 track reel to reel.  It’s taken me this long to edit it.  The Sound of Teeth features Charlie Rauh on Guitar, Chris Rauh on Bass, John Bohannon on Accoustic Guitar and Effects, John Westberry on Drums, and myself on Jenn Analog Synth and Field Recordings.   Some of the field recordings were pulled from Freesound.org. (See below for Freesound contributors.)  DaveX contributed the show narrative.  I did the live mixing, the post-mixing, and the editing.

The Sound of Teeth was the second episode we recorded on the reel to reel and the first of which to premiere on this podcast.  The sound of the tape gives the episode a real organic, textural quality – further explored by the addition of various forms of hiss & pop, such as vinyl clicks, mosquitoes, frying oil, and dirt in the volume knob of an old electric organ.   All of the performers on this episode really shine, and it’s one of our best yet.  It was a hell of a job to edit.  Enjoy.

The following samples were used under a Creative Commons license from Freesound.org.  The usernames of the sound creators follow the number in the track titles.  Extra special thanks to Freesound and the contributors.
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Dec 132009
 

Chaos surrounded me. On November 8th, I stood in my basement, surveying the visual cacophony of cables, music gear, and impatient faces staring at me to get my shit together. We were all set to record the first podcast of the new version of ~ORE~, and we were already one hour behind schedule. We couldn’t find enough headphone adapters, and I didn’t have enough outputs on my headphone amplifiers to send everybody the live feed. On top of that, a near-record of 10 musicians answered the call to be on this show, and I wasn’t prepared for so many.

Luckily, we worked it all out. We divided the episode into segments and let a smaller group perform on each segment. This approach ended up working out splendidly as it let things breath and brought new timbres throughout the show. There’s more variety here than any show we’ve ever done. It also serves as a perfect introduction to what we do here on Theatre Intangible as so many of the players are series regulars.  You might call this an all-star episode.

The 2nd Annual Halloween Extravaganza explores the topic of haunted houses. In preparation we recorded hours of interviews with haunted house creators, attendees, and even live 3d binaural walkthroughs of the haunted houses. (The setup was two SM58 microphones embedded in the head of a Styrofoam skull, appropriately enough.) While using a Porta-Potty outside one of the haunted houses, Cody Bottoms got splattered with sewage when a kid in a clown costume took a running splat into the side of the Porta-Potty.  These are the slings and arrows we must suffer when creating ART!

After assembling the field recordings and interviews, we put out a call for musical participants; and on November 8th, we assembled in my basement to record the show. I instructed the performers to create improvisational, textural sounds inspired by the recordings they were hearing in their headphones (which I live-mixed into the feed alongside the music.) The running-time went over 90 minutes. I have edited and reorganized the recording into a well-paced 60 minutes. What results is one of the most entertaining episodes we’ve ever put out. You’ll learn about the secrets of haunted house management, the psychology of clown-fear, a live psychic reading, and Cody’s fascination with funeral homes. This was the most difficult and time-consuming episode I have ever produced.

This episode features Jamison Sevitts on Rhodes Keyboard and trumpet, Charlie Rauh on acoustic guitar, JP Patterson on keyboard, Anderson Cook on modified electric guitar and percussion, Cody Bottoms on percussion, pimpdaddysupreme on records and vocal intro, Brey McCoy on Ableton Live sounds and wind instruments, Craig Schenker on saxophone, Lauren Estes on percussion, and Anthony William Herndon on theremin and synthesizer.

The episode features a variety of interviews, most notably Nathan Hamilton, founder of Haunted Nashville (comprised of the haunted houses House of Distortion, Turbidite Manor, and Riddles of Horror) . His dialogue became the backbone of the episode, and the show wouldn’t be the same without him. Special thanks to Nathan, to all the interviewees, the musicians, and also to Landon Lee, owner of Death Row Haunted Prison. Both of these haunted houses are extremely entertaining (and scary!), and I most-emphatically recommend you attend them next Halloween. All interviews used by permission.

As with all our shows, this episode is licensed under Creative Commons. You may sample it, slice it, dice it, and appropriate it in your own non-profit work. We just ask that you give us credit and let us know.

Enjoy!

Where’s the 1st Annual Halloween Extravaganza you ask? We recorded it on Halloween 2008 on our since-cancelled WRVU show ~ORE~ Theatre Intangible. We will premiere the podcast version of that episode (and many other WRVU-era episodes) later in the season.

 Posted by at 11:35 pm